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...guest shots. Comic George Jessel has a knack for veering the conversation to Bulova watches. While palavering with Jack Paar before millions of viewers not long ago, Georgie went on and on about his watch, a Bulova. When being Person to Personed by Ed Murrow, Jessel lovingly showed off five clocks in his house; all five were gifts from Bulova. (Genial Georgie insists neither mention was intended as a plug...

Author: /time Magazine | Title: Show Business: Block That Schlock | 11/23/1959 | See Source »

...interested in your discussion of [CBS President] Frank Stanton's attitude toward Person to Person [Nov. 2], and feel inclined to take up the cudgels for Mr. Murrow. I was on this program two years ago. When you state that it is "vaguely" rehearsed, you are right. "Vaguely" is the word. I live in the country; therefore it takes a number of days to cable a house and build various steel towers. I talked some time prior to the program to the writer and director-twice if my memory serves me. Please bear in mind that these gentlemen didn...

Author: /time Magazine | Title: Letters, Nov. 16, 1959 | 11/16/1959 | See Source »

Personally to personally, I had a good time on it; I had a week or more of engineers and such running about the house wiring this and that, including trees, and I am indebted to Mr. Murrow. I live alone; I was not surrounded by friends and family; there was just myself tiptoeing downstairs and hoping to God that things would go right. I hadn't the faintest idea what questions Mr. Murrow would...

Author: /time Magazine | Title: Letters, Nov. 16, 1959 | 11/16/1959 | See Source »

Biography of a Missile gave Edward R. Murrow and the same CBS crew that put together other notable documentaries (Montgomery Speaks His Mind, The Lost Class of '59) another chance to demonstrate the most impressive techniques yet developed by TV journalism. From the cocky drawing-board confidence of the creators of Juno II, to the unforgettably tense faces of the missilemen when their bird was fired, Biography recorded every important aspect in the life of one of man's most intricate creations. The cameras sighted in on the meticulous welding of Juno's outer skin...

Author: /time Magazine | Title: Show Business: Best Foot Forward | 11/9/1959 | See Source »

More Evidence. While not necessarily endorsing Murrow, many industry veterans wondered whether Stanton's definition of deception was not too broad. Said Writer-Producer Goodman Ace, whose opening Big Party earned Stanton's ire because it falsely purported to be a soiree at the Waldorf: "Does Mr. Stanton want me to believe that Rochester works for Jack Benny, that it was really George De Witt's own hair on Name That Tune?" Comedians moaned that without canned laughter they may well get none at all; politicians feared that they may have to tell when their speeches...

Author: /time Magazine | Title: TELEVISION: Purity Kick | 11/2/1959 | See Source »

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