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...deliberately bumped his car three times in the final laps. They fined the Mustang driver $100 for "unsportsmanlike conduct." Said Minter: "At first I thought George was coming out to shake my hand, but when I saw his eyes-he was hysterical!" The point tally as of last week-Mus-fang, 48, Camaro, 26, Javelin, 25, Challenger, 7, Barracuda, 5-held little solace for Follmer. Last year Mustang won four of the first five races and still lost out to Camaro. With seven encounters still ahead, the real hysteria of the 1970 Trans-Am is yet to come...

Author: /time Magazine | Title: Sport: The Trans-Am Donnybrook | 7/20/1970 | See Source »

...York has just published a suite of his lithographs based on Solomon's Song of Songs. Next week his first U.S. exhibition of paintings opens at Manhattan's Staempfli Gallery. In June he will be accorded a retrospective in the Print Biennale at Paris' Musée d'Art Moderne...

Author: /time Magazine | Title: Art: Beauty in the Bizarre | 4/27/1970 | See Source »

...first few minutes after 5 a. m. last Ap??, one of the chants that rose from dumbstruck ?tators around University Hall was "Pusey Mus? Pusey Must Go!" The chant died gradually? curiously did not reappear...

Author: By James M. Fallows president, | Title: ???hot | 2/3/1970 | See Source »

...adulatory biographer like Theodore Besterman is just the further aggravation that a resenter of Voltaire's cocksure reformism does not need. Mercilessly detailed, Besterman's book is a scholarly but unabashed case of hero-worship by the English founder and director of the Institut et Musée Voltaire in Geneva and editor of the 107 volumes of Voltaire's Correspondence. Besterman's zeal can nearly do the impossible: make his scintillating subject dull. Yet Voltaire survives even his sedulous admiration-perhaps because no age can help finding a man fascinating who himself was so fascinated...

Author: /time Magazine | Title: Books: A Chaos of Clarity | 11/28/1969 | See Source »

Breakthrough. Brancusi's early work, never before seen in the U.S., is the most surprising part of the current exhibition. In Paris he studied at the Ecole des Beaux-Arts and exhibited such accomplished work at the Musée Luxembourg that Rodin invited him to work in his studio. Brancusi refused. "Nothing grows well in the shadow of a big tree," he said, and spent the next two years working in virtual isolation. His last work in a traditional mode is the tender portrait head, Torment. Then, in 1907, he made the great break with the past that...

Author: /time Magazine | Title: Art: Brancusi: Master of Reductions | 10/17/1969 | See Source »

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