Word: muscularity
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Dates: during 1960-1969
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With its little 2.2-liter engine, the Porsche 907 is a 270-h.p. midget compared with the seven-liter, 500-h.p. Ford Mark IV prototype that averaged a record 135.4 m.p.h. at Le Mans last year. But it is a muscular midget-durable, exceptionally nimble in the turns, capable of straightaway speeds up to 175 m.p.h. And this year, with prototypes restricted to engines under three liters in displacement, it does not have to try to keep pace with far bigger Fords and Ferraris...
Coming on the heels of the Westminster-National Provincial merger, the Barclays-Lloyds-Martins union will, if both are approved by the Government Monopolies Commission, reshape the traditional Big Five of British banking into a more muscular Big Three. Caught in the middle by mergers involving all four of its leading rivals is Midland Bank, which stands to slip from its present position as the country's second largest bank to a lonely third...
...Rockefeller Foundation, and the many Guggenheim foundations. But who ever heard of the Robert O. Hayes Foundation of Grand Blanc, Mich.? It exists, however, and according to its records, it made recent grants of $2 each to the Easter Seal campaign, the American Cancer Society and the Muscular Dystrophy Association. But the size of its operations do not legally make a foundation any less taxexempt, and that is the point...
...Agathe is a wholly original synthesis of a variety of dance arts. Eileen Cropley's every motion depicts the transformation of the girl from maidenly naivete to knowing womanhood; her timid, mincing steps broaden gradually to final exultant leaps. As Satan, Taylor circles the stage like a great, muscular swooping bird of prey, while Dan Wagoner flutters nervously as a sardonic, sanctimonious Angel and Daniel Williams creates a Pan who seems the exact personification of drool...
...Agathe is a wholly original synthesis of a variety of dance arts. Eileen Cropley's every motion depicts the transformation of the girl from maidenly naivete to knowing womanhood; her timid, mincing steps broaden gradually to final exultant leaps. As Satan, Taylor circles the stage like a great, muscular swooping bird of prey, while Dan Wagoner flutters nervously as a sardonic, sanctimonious Angel and Daniel Williams creates a Pan who seems the exact personification of drool...