Word: musee
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Dates: during 1990-1999
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Winterson's less poetic efforts suffer from lapses into sentimental philosophizing, as if she momentarily invokes the Hallmark Muse. I'm all for stories that convey basic truths about humanity, but I'm against the author obtrusively pointing them out for me. I'm not even sure I know what a platitude like "The future is still intact, still unredeemed, but the past is irredeemable" from the story "Orion" means. Are our futures really that predetermined? And of course "the past is irredeemable"--It's already happened; it's gone. It's tautologies like that that make me lash...
With Shakespeare in Love, we find Fiennes as the title character searching for a muse to stir up his creative juices. Paltrow is just the ticket as she employs the ol' Victor/Victoria trick to gender bend her way onto the stage and into Fiennes' heart. The adultery angle doesn't really do it for me, but Tom Stoppard, the screenwriter, deftly weaves Shakespeare's elegant language with his own poetic words. If the Scarlet Letter duo don't affect you, at least the verbal swordplay will keep you interested till...
...SHAKESPEARE IN LOVE Forbidden romance, raffish show-biz comedy, literary pranksterism and class warfare jostle joyously in this intricately imagined, exuberantly acted, cunningly directed tale of how the young, infinitely distracted Bard gets in touch with the genius he doesn't know he possesses. To Gwyneth Paltrow, muse of Miramax, we send our heart...
...literature that never got written. But when young Will Shakespeare (Joseph Fiennes) becomes pen-tied, the future of English literature is imperiled. For his new play he has a title--Romeo and Ethel, the Pirate's Daughter--but not a clue. This is a man in search of a muse, which fate, in the form of screenwriters Marc Norman and Tom Stoppard, brightly provides. Viola De Lesseps (Gwyneth Paltrow) has it all: beauty, poise, a dowry and a titled suitor. But what she really wants...
...with a fatal heart defect. Confronted with his mortality, Mahler was consoled by a new vision--immortality. His heart, his body and his memory would erode. His music, however, would not. Mahler was set to compose his legacy. His ink was his effigy; his fear of death was his muse. And the fervor that inspired him was not that of a composer, but of a missionary. In his final pieces, Mahler leads us through the landscape that is explored by a dying man--the denuded landscape of his own soul...