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Sophomore Goodenow's goal, his first as a varsity player, came off of a nice rush and feed by defenseman Bob Muse. Desmond, an ex-JV player skating on the fourth line, scored on a tip-in of sophomore Dave Hands's shot...

Author: By Evan W. Thomas, | Title: Hockey Team Rips St. Nick's; Local Line Stars in 10-3 Win | 12/2/1971 | See Source »

Inevitably he returns to Natalia/Natalie who has "the sweetness [Natalia] and ravenousness [Natalie] of an angel." In thin disguise, Tony is really a writer and Natalie is his muse. Tony's demands on himself have no limit. He wants to find a way "through which paradoxes could be held." There are other goals. How to defeat the logic imposed by language. How to conquer the limitations on writing imposed by the fact that only a comparative solitary will write at all. As for the rest of humankind, why is it that "there is no place, except on a tightrope...

Author: /time Magazine | Title: Books: Heavenly Bodies | 10/4/1971 | See Source »

Eventually one wonders if there is not a little Flying Wallenda in Author Mosley-a lot of skill and daring and not a little wobble. The unsatisfied muse, Natalie, might point out that there are too many attenuated aperçus here and too big an aesthetic load weighing on such a slight situation. But the sweet muse, Natalia, would smile upon a good writer trying to define and dramatize the mystery of creativity. In the end, Tony thinks, "If Natalia was sun and earth, I was gravity." It is a stunning metaphor for a writer's goal...

Author: /time Magazine | Title: Books: Heavenly Bodies | 10/4/1971 | See Source »

Another guest had more to muse on than most: Contralto Marian Anderson. In 1939, she had been refused permission by the Daughters of the American Revolution to sing in Constitution Hall because she is black. Mrs. Eleanor Roosevelt resigned from the D.A.R., and Anderson sang instead on the steps of the Lincoln Memorial. Last week, Miss Anderson sat in the presidential...

Author: /time Magazine | Title: People: Grand Night in a Superbunker | 9/20/1971 | See Source »

Electronic Mud. One of the most popular exhibits is Robert Rauschenberg's Mud Muse. It is a tank filled with sloppy, coffee-colored drillers' mud supplied from one of Teledyne's offshore oil rigs. Pipes in the floor of the tank emit air bubbles, which plop to the surface at random with a kind of lazy flatulence. The pipes in turn are controlled by an elaborate electronics system, which converts signals from taped music and random noise in the room into a pattern of air release. "I think," says Rauschenberg, "you immediately get involved with Mud Muse...

Author: /time Magazine | Title: Art: Man and Machine | 6/28/1971 | See Source »

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