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...City's American Museum of Natural History, along with a full-size reproduction of the burial site of a ruler called the Warrior Priest, or the Lord of Sipan. The wealth of information gained from the tombs' contents outshines the dazzling finds. Says archaeologist Walter Alva, director of the Museo Nacional Bruning de Lambayeque, who has overseen the excavation since the first days: "Sipan's importance for science transcends the glitter of the gold...

Author: /time Magazine | Title: Golden Wonder | 6/27/1994 | See Source »

...slice it, the 45th Venice Biennale of contemporary art, which opened to the public last week, is a failure. The more interesting parts of it tend to be the peripheral shows -- a fine homage to Francis Bacon installed in the 18th century rooms of the Museo Correr, on St. Mark's Square, and some multimedia pieces by filmmaker Peter Greenaway and stage designer Robert Wilson in a section called "Slittamenti," or "Trans-Actions." But as survey and analysis, this Biennale is quite incoherent and achieves the near impossible feat of making what still passes for "radical" creation look even weaker...

Author: /time Magazine | Title: A Shambles In Venice | 6/28/1993 | See Source »

...WHERE: MUSEO CORRER, VENICE...

Author: /time Magazine | Title: Fugues In Stone and Air | 6/15/1992 | See Source »

...taken hold. The most recent, which may restore Canova to some popularity, is the sleeper of Venice's summer art season: a show of 152 drawings, clay models, plasters and finished marble carvings, borrowed from as far afield as St. Petersburg, handsomely installed in the period rooms of the Museo Correr on Piazza San Marco. It is 20 years since such a group of Canovas has been assembled in public...

Author: /time Magazine | Title: Fugues In Stone and Air | 6/15/1992 | See Source »

...everything Canova did was on this level; how could it have been? He was an extremely fashionable artist, and he paid the price of fashion: his superrefined style slid into mannered performance and self-repetition, abundantly represented in the Museo Correr by a gallery of ideal heads. No matter. If this show gives its visitors even a few reasons for looking at the best of Canova without prejudice, it will have done its job; the signs are that...

Author: /time Magazine | Title: Fugues In Stone and Air | 6/15/1992 | See Source »

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