Word: muses
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...Lyndon. But the odes to Lyndon Johnson were far more meaningful. Indiana's Freshman Vance Hartke (an avowed political enemy of fellow Hoosier Butler, who opposed Hartke's nomination last year) fairly wooed the muse: "His hand has been firm on the tiller, insisting that the ship of state not founder on the rocks of partisanship. No one who has sat in this chamber could question for a moment the man most responsible for this state of the nation. He is Lyndon B. Johnson." Other Democrats of every persuasion fell in line to praise Johnson and his program...
...seven residences; Annacis Island near Vancouver; 285 acres of choice London real estate, including the U.S. embassy site on Grosvenor Square). The duke's byword: "The Grosvenors never sell land." In 1921 he had unloaded Gainsborough's Blue Boy and Reynolds' Mrs. Siddons as the Tragic Muse for $774,000 to pay off back taxes. Last week his heirs, faced with some $30 million in death duties (of which more than $21 million has already been paid to date), put up for auction 18 of the duke's paintings, plus the Westminster Tiara, so encrusted with...
Eilshemius' muse was wayward, poetic, and in the end cruel. Critic Duncan Phillips notes that in one picture Eilshemius "symbolically depicted himself as adrift, all alone, in a fragile bark rushed along by the fierce currents of wild, rapid waters which swirl around an island under a witching moon. It is a symbol of all futility and frustration under the Tantalus of beauty and romance. It tells of his endless efforts to land on the island of desire...
...London's Daily Mirror that invited young musicians to "Just Dial FAME." FAME's mortal form, it turned out, is the chunky person of Paul Lincoln, an ex-wrestler and Soho coffee-bar proprietor who runs a stable of rock-'n'-roll yodelers, is the muse behind hugely successful Singer Tommy Steele (TIME, Dec. 30, 1957). Lincoln heard tapes of Kris singing and playing folk songs he had written himself, quickly signed up the young scholar. Sample of Kris's pleasant, blues-tinged lyrics (his songs neither rock nor roll), suggested by the summers...
Vision of Carnage. Hodgson's latest poetry is filled with an old theme: fury at human cruelty to nature, to animals, to the imagination. In most of his uncompleted The Muse and the Mastiff, this theme is put in the mouth of an ancient wild bear, who seldom has a kind word for any other animal. To Hodgson, cruelty seems to be getting worse and worse in the hands of men ("I see such carnage in the future"). As for what may come to the world that he has broodingly watched from his lonely farmhouse for so many years...