Word: museum
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Dates: during 1980-1989
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HELEN FRANKENTHALER: A PAINTINGS RETROSPECTIVE, Museum of Modern Art, New York City. In the '50s, Frankenthaler's lyrical washes of color had a decisive influence on abstract expressionism; today she ranks as America's best-known living woman artist. These 40 canvases from four decades show why. Through...
...VIVRE: DECORATIVE ARTS AND DESIGN IN FRANCE, 1789-1989, Cooper-Hewitt Museum, New York City. Jewelry commissioned by Napoleon Bonaparte, cutlery from Maxim's, art nouveau furniture and haute couture gowns are among 500 objects displayed in glittering tribute to France's bicentennial. Through July...
...some 18 months ago, there were no headlines. Wilmarth was not a "star," and so, ignored by the mechanisms of art-world hype, his work was left to find its own level. It is now doing so. The time for a complete Wilmarth retrospective has not arrived, but the Museum of Modern Art in Manhattan has mounted a small exhibition of 25 of his sculptures (through Aug. 20), sensitively curated with an excellent catalog essay by Laura Rosenstock. Even from this limited evidence, it is clear that Wilmarth was by far the best American sculptor of his generation...
Inconsistencies abound. The Joker falls into a vat of toxic slime that eats the skin off his body but doesn't damage his signature deck of cards; when he gaily vandalizes some classic paintings, the film spells the museum's name two different ways; and when he starts tossing $20 million in cash onto the street, the good people of Gotham don't go into a looting frenzy and attack his perch. More important, the picture's first hour poses one big question: How will ace photographer Vicki Vale (Kim Basinger) react when she learns that Bruce is Batman...
...something of a departure. Much of Talking God takes place in official Washington; its characters include a quirky contract killer seemingly borrowed from Elmore Leonard; and the underlying politics focuses as much on Pinochet's Chile as on the grievances of tribes whose ancestral graves are plundered for museum displays. But the deftly manipulated plot reunites Hillerman's detectives, Joe Leaphorn and Jim Chee, lovelorn men who bury grief in stubborn pursuit of moral order. Their tracking skills and non-Anglo reasoning still prove vital to averting further crime. In place of breathtaking evocations of light and landscape, Hillerman touchingly...