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...lecture, entitled “Where our Food Comes From: The Origins of Agriculture,” was the second installation in the three-part “Food for Thought” series sponsored by the Harvard Museum of Natural History...

Author: By Devon Newhouse, CONTRIBUTING WRITER | Title: Smithsonian Curator Analyzes Origins Of Food | 2/19/2010 | See Source »

...determined-to-change-your-mind new show at the Los Angeles County Museum of Art (LACMA) is called "Renoir in the 20th Century." It could just as well have been called "Renoir: The Problem Years." Take one look at a painting like Bather Sitting on a Rock, and the problem is obvious: cupcakes don't get much more scrumptious than this. Which is another way of saying that a whole line of mildly lubricious babes, from the phosphorescent nymphs in Maxfield Parrish to Tinkerbell and the Playboy bunny, owe something to the old man's influential wet dream of classical...

Author: /time Magazine | Title: La Vie en Rose | 2/18/2010 | See Source »

...understand the Renoir of "Renoir in the 20th Century," which runs in Los Angeles through May 9 then moves to the Philadelphia Museum of Art, you have to remember that before he became a semiclassicist, he was a consummate Impressionist. You need to picture him in 1874, 33 years old, painting side by side with Monet in Argenteuil, teasing out the new possibilities of sketchy brushwork to capture fleeting light as it fell across people and things in an indisputably modern world...

Author: /time Magazine | Title: La Vie en Rose | 2/18/2010 | See Source »

Bigelow was raised in Northern California. Her father managed a paint factory, and her mother was a librarian. Bigelow began painting at an early age; she enrolled as a college student at the San Francisco Art Institute and during her second year was accepted at the Whitney Museum of American Art's independent-study program. In 1971, at age 19, she set off for New York City...

Author: /time Magazine | Title: Kathryn Bigelow: The Front Runner | 2/18/2010 | See Source »

That complex, known as Seodaemun under the Japanese who built it in 1907 to incarcerate Korean independence fighters, and where Ko spent much time for his leading role in protests against successive military governments in the 1970s and '80s, has been turned into a museum of horrors, a red-brick Grand Guignol of simulated torture chambers as chilling as Tuol Sleng in Phnom Penh or Changi in Singapore. To visit is upsetting but essential if you're to see Korea the Ko Un way - that is, an experience of harmonious extremes, a bracing yin and yang of Buddhas and booze...

Author: /time Magazine | Title: Sense of Place: The Korean Peninsula | 2/17/2010 | See Source »

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