Word: museumed
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Dates: during 1930-1939
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...visiting professionals in the arts this catholic display had an interest which none of the big city shows could boast. It proved that the Newark Museum remains the seat of the most sensible program of small museumship yet formulated in the U. S. This program took shape 30 years ago when the Museum was created as an adjunct to the Newark Public Library by an extraordinary librarian, the late John Cotton Dana. Dana's fame as a museum director has spread farther and wider ever since...
...started the first children's library in the U. S., the first business branch libraries, the first extensive public files of periodicals and newspapers. On the fourth floor at Newark he set aside two rooms and a corridor for Art; in 1909 it was incorporated as a museum and received $10,000 from the town to buy an Oriental collection. Director Dana wrote a little piece called The Museum of Interest and the Museum of Awe. Said...
...museum does not care to be of immediate practical use to the people who maintain it, help them to more intelligent enjoyment of daily life by adding interest to the common interest of that life, and seeks only to arouse astonishment, awe, and a harmful reverence by means of objects rare, old. costly, and of aristocratic history, it needs only acquire such objects, place them on walls or pose them in cases, speak with seeming authority of Art, Beauty, Esthetics, Styles, Periods, and the like, and rest content...
...Newark Museum was chartered not for awesome Art alone but also for the exhibition of works of science, history and technology. Newark was an industrial city and a satellite of Manhattan; its upper class even then was beginning to find homes in the country and entertainment in the metropolis. Dana made his museum of interest to working people and the middle class. In 1912 he got up the first industrial arts exhibition ever held in the U. S.; 1,300 items of Austrian and German craftsmanship. He arranged an exhibition of jewelry (something Manhattan's Museum of Modern...
...callowness about Art. In his classic American Art: How It Can be Made to Flourish, he observed that the ability to tell a well-designed teacup should precede precious talk about Giotto; and he urged the purchase and study of contemporary work by U. S. designers and artists. The Museum lived up to this so consistently that in 1925, when Dana was in Italy and a rich Newark lady sent him $10.000 with which to acquire old Italian things, he saved the money and persuaded her to let him spend it on American paintings. The next year the Museum moved...