Word: museumful
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Dates: during 1950-1959
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...director of Manhattan's new Guggenheim Museum flout the wishes of its famed architect-designer, Frank Lloyd Wright? See ART, Last Monument...
...between architecture and painting, in which both come out badly maimed," declared Art Critic John Canaday on Page One of the New York Times; "The most beautiful building in America," retorted Critic Emily Genauer in the New York Herald Tribune. "A building that should be put in a museum to show how mad the 20th Century is," editorialized the New York Daily Mirror. "Mr. Wright's greatest building, New York's greatest building." said Architect Philip Johnson, "one of the greatest rooms of the 20th century." "Frank has really done it," snapped one artist. "He has made painting...
Thus in a babel of discord, and six months after his death, Frank Lloyd Wright's last major work, the $3,000,000 Solomon R. Guggenheim Museum, on Manhattan's Fifth Avenue (at 88th Street), opened to the public last week. Discord and controversy had marked it since the day it was commissioned 16 years ago. Wright had proposed "one great space on a continuous floor," a gigantic, uncoiling drum of reinforced concrete that swelled outward as it rose, carrying within more than one-quarter mile of continuous ramps sloping upward six stories to a great glass dome...
When the actual structure began going up, its exterior proved too much for many critics as well, was dubbed "the snail," an "indigestible hot cross bun," a "wash ing machine." Robert Moses, New York City Parks Commissioner and Metropoli tan Museum ex officio trustee, decided that it looked like "an inverted oatmeal dish." Wright fired back: "It's going to make the Metropolitan Museum look like a Protestant barn." Twenty-one artists signed a round-robin protest charging that Wright's scheme for hanging would throw their canvases askew and the sloping ramp (3%) would provide no level...
Three-Level Chess. Credit for the installation goes to Guggenheim Museum Director James Johnson Sweeney, who discovered that laying out pictures in a spiral museum is like playing three-dimensional chess at a distance of 80 ft. (the inner diameter of the core). Pointing and counterpointing pictures on three different levels at once, Sweeney was able to orchestrate modern art in a way that no horizontal museum can hope...