Word: museumize
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...Masriadi has come to prominence so quickly that there has been little critical analysis of his work. "The art critics haven't caught up with the art market," says Ahmad Mashadi of Singapore's NUS Museum. And with about a week left to run on "Black Is My Last Weapon," his solo exhibition at the Singapore Art Museum, www.singart.com, you have a chance to see what the collectors have been fussing about. Expect to be amused and provoked...
Meet Me in St. Louis. The St. Louis Art Museum opened Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976 this week. (Click here for a review.) Billing itself as the "first major U.S. exhibition to reconsider Abstract Expressionism in over 20 years," the show takes a look at 50 works by such artists as Helen Frankenthaler, Jasper Johns, Ad Reinhardt and Frank Stella through the lens of two contemporary art critics, Clement Greenberg and Harold Rosenberg, as they dueled over the meaning of changes in the art world. Through Jan. 11, 2009. 1 Fine Arts Drive, Forest Park...
...Take on Old Art? During the 1990s many artists mixed architecture, design and theater inside museum exhibition spaces to create an interactive moment of transformation for participants. As a retrospective of sorts, New York City's Guggenheim Museum has invited artists including Angela Bulloch, Jorge Pardo, and Rirkrit Tiravanija to collaborate on site-specific installations for the upcoming theanyspacewhatever. Carsten Höller, who installed aluminum slides last year at London's Tate Modern, will erect the "Revolving Hotel Room" at the Guggenheim in which visitors can sleep for the night. (Naturally, this opportunity is already sold...
Pulitzer’s donation is an extremely generous contribution to Harvard’s ability to enhance artistic teaching and research opportunities at the University; it also brings more world-class art into the Cambridge area for everyone nearby to enjoy. We are sure the museum will find a way to use this gift in a way that does it justice...
This metonymic technique serves Komunyakaa well, allowing him to provide fresh insight into the things that make up war. But it sometimes veers toward a laundry list or a museum description. The second section of the book, which deals with the implements of war, sometimes loses its momentum due to the weight of the nouns that are loaded upon it. Komunyakaa excels at unemotionally describing scenes and letting the reader draw his own associations from the poetry. However, in poems like “The Clay Army,” he doesn’t add anything beyond the basic...