Word: museumize
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...wall as a souvenir. It was very difficult, and while he was trying, I asked myself, what would drive the Israelis to do such a thing to us, build such a monstrosity as this wall?" He gathered his son and daughter and drove them to Yad Vashem, the Holocaust museum. "It was very moving. I couldn't breathe. Six million. It's like something off another planet," he recalls...
...Touring the somber museum, it occurred to Mahameed that "we Palestinians are the victims of the terrible things that were inflicted on the Jews by the Holocaust." The images of the crimes perpetrated against the Jews of Europe also made him understand international support for Israel. "If an Israeli child dies from a Gaza rocket, the Israelis can take a photo of that child to America and remind Bush of the 1.5 million Jewish children who died in the death camps, and Bush will give the Israelis more money and weapons to use against us," he says. And Israelis experience...
When the screen at the Deutsche Kinemathek's film museum in Berlin whirred into life, and showed the black-and-white image of a glamorous brunette sporting an elaborate headdress and a man applying lipstick on her pale, powdered face, curator Rainer Rother couldn't believe his eyes. It wasn't the beauty of the young actress that stunned him, but rather the realization that what he was watching was a sight film historians and archivists from around the world had been desperate to see: the legendary missing scenes from Austrian-born director Fritz Lang's 1927 film Metropolis...
...this new version became possible when Paula Felix-Didier, the curator of Buenos Aires' cinema museum (and Metropolis fan), decided to sift through old archive material, following a tip-off from a former film club director, and discovered two dusty film cans containing a 16mm copy of the original. Felix-Didier took the material to Berlin to have film experts, amongst them Rother and Wilkening, confirm its authenticity before exclusively allowing the German weekly Die Zeit to make the findings public. Indeed, it has subsequently come to light that a long version of the film was first sent to Buenos...
Neither of these spice gals had any prior industry experience. Before meeting Engram, Luber had been an art historian and a curator at the Philadelphia Museum of Art. Engram was a longtime editor at the Baltimore Sun. The pair met through a friend and got to talking about spices. "We started thinking about why they go stale," says Luber, "and about other categories that had exploded over the past 10 years, like tea, olive oil, vinegar and cereal." Sensing an opportunity, Luber and Engram began gathering advice on how to build a spice company...