Word: museums
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Dates: during 1940-1949
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...17th Century castle had become, last week, a 20th Century shrine. Castle Grimaldi, in the Riviera town of Antibes, had long been used as a museum, but hardly anyone bothered now to look at its ancient coins, copies of Michelangelo and terra-cotta statuettes. For Pablo Picasso had hung his latest paintings in its tiled galleries. The regular habitues were bustled aside by a throng of up-to-the-minute pilgrims, who had come to see for themselves the newest chapter in the protean history of Picasso...
...Pablo Picasso," she burbled in next day's column, "is too well known to dwell upon. Our friendship during 27 years has always been full of surprises. ... I have always thought Picasso's blue period to be his best until yesterday, when I went to the Grimaldi Museum. ... I had seen quite a bit of Picasso in Paris this winter. When I asked him to come to America and told him about the money he would make there, he shrugged his expressive Latin shoulders, saying, 'Elsa, I hate the sea and I hate money, and I have...
...massive Metropolitan, they decided, should concern itself with "classic" art (denned as art which "has become part of the cultural history of mankind"). The glassy, faddish Museum of Modern Art took for its bailiwick everything "still significant in the contemporary movement." And Greenwich Village's Whitney Museum-the youngest of the three, and something of a poor relation at the conference table-agreed to stick...
Texas had never seen anything like the $1,500,000 worth of old masters that arrived in Dallas in a sealed steel freight car last week. Lent by Manhattan's Metropolitan Museum, the paintings will go on show at next week's State Fair. Among the 30 paintings were works by Titian, Tintoretto, Rembrandt, Goya, Rubens and El Greco. But Dallas Museum Director Jerry Bywaters counted on a lesser masterpiece to reach the heart of Texas: Rosa Bonheur's sun-spangled Horse Fair, whose picturebook realism and 8-by-16-ft. grandeur make it a crowd favorite...
Frederick C. Packard '20, associate professor of Public Speaking, it seems, was only momentarily nonplussed by the throng of more than two score Harvard and Radcliffe representatives that crowded his Germanic Museum studio yesterday for the first meeting of his course in Dramatic Interpretation...