Word: museums
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...Chinese opera (it features, for example, the definitive catalog of memorabilia from the career of Mei Lanfang, the great Beijing Opera master who died in 1961 at the age of 67), the Kwok On Collection numbered thousands of pieces by the time it was housed in a small dedicated museum in Paris in the 1980s. By then, it had fallen into the hands of Jacques Pimpaneau, a French sinologist who added similar objects, increasing the collection to around 10,000 pieces, before donating it to the Fundação Oriente. The foundation has also enlarged the collection (by some...
...neat illustration of the shifting balance of wealth between West and East, much of the early funding for the museum stemmed from Macau. As a condition of its former gaming monopoly, casino mogul Stanley Ho's Sociedade de Turismo e Diversões de Macau donated tens of millions of dollars to the Fundação Oriente up until 1996. The money provided the basis for the Fundação Oriente's present riches, and helped elevate it to the ranks of Europe's 20 largest foundations. Ho has said he hopes the new museum will further...
...formula for pleasure. But you don't know what pleasure is until you've seen Ando's Church of the Light near Osaka, Japan, where two intersecting slots in a rear wall admit sunlight in the form of a glowing cross. And then there's his triumphant Modern Art Museum of Fort Worth, in Texas, a palisade of glass pavilions that touch down mysteriously on a broad reflecting pool...
...contested question, but the contest is increasingly going to forms that are not broad, flat, pale and gray. In a world being radically reconfigured by Gehry, Zaha Hadid and Daniel Libeskind, Ando represents the continuing relevance of a more reductive strain of 20th century Modernism. When the Fort Worth museum was commissioned, Ando, now 66, had built widely in Japan but not much outside. By the time it opened six years ago, he was firmly located on the international short list of architects that everybody was after...
...hasn't completed another building in the U.S. until now. On June 22, his Stone Hill Center, a combination of galleries and art-conservation labs, opens at the Sterling and Francine Clark Art Institute, the superb small museum and art-study center in Williamstown, Mass. It's exactly what you would expect from him. It's pale, gray, serene, economical, subdued and, from most angles, pretty splendid...