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...influence of the famous German design school, the Bauhaus, on the arts today is as apparent as the ubiquitous Volkswagen is on U.S. streets. Mushroom-topped lamps, svelte coffee pots, paintings of surreal geometries, and clean, functional buildings are associated with the Bauhaus attitude as readily as jimmies are with Boston ice cream cones. In its art work the Bauhaus mixes mysticism with the concrete. In its pedagogy it encourages imaginative thinking yet demands well-defined results. And from this composite house of arts-crafts-architecture, appeared distinct personalities like Paul Klee, Wassily Kandinsky, Walter Gropius, Lazslo Moholy-Nagy...

Author: By Meredith A. Palmer, | Title: The Bauhaus at the Busch-Reisinger Museum | 6/14/1971 | See Source »

Finding a remedy is complicated by the fact that the truffle is a mysterious fungus related to the mushroom, growing mostly on the roots of certain scrub oaks, usually five or six inches underground. Wet summers, a decline in oak planting and the unpredictable nature of the truffle itself have all contributed to its increasing scarcity...

Author: /time Magazine | Title: FRANCE: No Truffling Matter | 5/31/1971 | See Source »

Benumbing News. This process energized Warhol's images of disaster-the car crashes, the electric chairs, the mushroom clouds and paintings like Red Race Riot, 1963-with singular force. A distillation had been made of the benumbing repetition of bad news in order to show that one should not be numbed. Characteristically, Warhol denied any such slant. Neither approval nor disapproval: the news photographs that produced these silk screens, he claimed, "just happened to be lying around," and he did not pick them. But why were they lying around? For all his elaborations of cool, Warhol has an apocalyptic...

Author: /time Magazine | Title: Art: Man for the Machine | 5/17/1971 | See Source »

...Mushroom...

Author: By David F. White, | Title: Winthrop St. Fire Quelled | 2/22/1971 | See Source »

...Band. Even a single episode of "The French Chef," her TV instruction show (Wednesdays, 8 p. m., WGBH), leaves one with the overpowering image of a very eccentric, very competent, and very unselfconscious lady. She wipes up the debris scattered on her carving board after ten minutes of mushroom fluting, and a moment later the same towel is declared "impeccably clean," and suitable for use as a lemon strainer. She casually plops a dropped chicken back into a casserole, saying, "The guests will never know." And refined as her rapid-fire method of onion chopping may be, it is hard...

Author: By Martin H. Kaplan, | Title: The Raw and the Cooked Mastering Julia Child's Art | 2/18/1971 | See Source »

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