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Last week the Princeton University Triangle Club took its 44th annual musi-comedy to Manhattan's Metropolitan Opera House before the usual holiday swing through the country. Those who had charge of this year's production. It's The Valet, appeared to have done a less sprightly job than many of their predecessors. It's The Valet is not very funny...

Author: /time Magazine | Title: The Theatre: Nassau Nonsense | 1/2/1933 | See Source »

...amuses but its pattern is growing a thought too familiar. Not that Author Wodehouse never uncorks anything new. Hot Water, his latest offering, shows him a keen student of U. S. vaudeville gags, funny sheets, Walter-Winchellisms. It is a tribute to his skill as a merciless horser of musi-comedy scenes, dialog and situation that he is still able to raise many a horse laugh. Packy, U. S. Adonis, ex-Yale footballer and recent millionaire, has bitten off more than he really wants to chew in getting engaged to a beautiful English bluestocking. Fat, henpecked Mr. Gedge...

Author: /time Magazine | Title: Books: Vo-de-o-Wodehouse | 8/22/1932 | See Source »

Everybody's Welcome is a musi-comedy version of last season's comedy Up Pops the Devil, which retains just enough of the original story & dialog to provide Frances Williams, Oscar Shaw, Jack Sheehan and Cecil Lean with an adequate background for their monkey business. Love in a Greenwich Village flat becomes love in a penthouse, with the Empire State Building (minus the new red light) instead of the moon looking benevolently through the window. Mild satire on the writing business becomes broad burlesque of the giant "Proxy" cinemansion. A minor character in the original play becomes Frances...

Author: /time Magazine | Title: Theatre: New Plays in Manhattan: Oct. 26, 1931 | 10/26/1931 | See Source »

...Connecticut Yankee (Fox). Mark Twain's story was made into an effective farce in silent cinema days, starring Harry Myers; then it became a successful musi-comedy. But not until its present metamorphosis into a talking picture has a form been reached in which the many-faceted material is properly displayed. Few creative works are translatable from one medium to another, but A Connecticut Yankee is no less trenchant as a picture than as a novel; it is wonderful entertainment, rippling with chuckles, expanding often into resonant Twainian belly-laughs. Director David Butler has omitted the sociological satire...

Author: /time Magazine | Title: Cinema: The New Pictures: Apr. 20, 1931 | 4/20/1931 | See Source »

...regarded as funny. In 1980, however, musical comedies will still be full of jokes that have been doing service for years; songs will not have improved; heroines will be coy and leading men pompous. These suggestions spectators will absorb from De Sylva, Brown & Henderson's mechanically amusing musi-comedy. A theme which has been useful to H. G. Wells and Jules Verne they have executed in the fantasies of a tired vaudeville booking-agent. Just Imagine is much too long, and in spite of all that Marjorie White and John Garrick can do, it is boring. Best sequence...

Author: /time Magazine | Title: Cinema: The New Pictures Dec. 8, 1930 | 12/8/1930 | See Source »

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