Word: musicã
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Dates: during 2001-2001
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...images of consumer culture, rock and roll’s rebellion turned inwards toward the self. Studio 54’s house band, the Velvet Underground, took introspection to its apex, while No Wave bands would perform audienceless in the New York streets as firm proponents of music for music??s sake. Towards the end of the 1970s and the beginning of the 80s, self-satirizing disco, new wave and Pop artists began to acquire a large fan base. The Village People topped the charts with songs that band member David Hodo described...
...effort, rebellion through popular music is passé—rock and roll now seeks to placate the public that funds it. Meanwhile, conceptual art remains rooted in ideals, but no longer has the public support to effect change. When the self-preoccupation of the art world and music??s commercial drive can reach a compromise, avant-garde art and rock and roll can fall in love again. Until then, the boys abroad have J-Lo’s booty-shaking to enjoy...
...over backwards,” Sarah explains. It took one afternoon of getting acquainted with the piece to set Sarah on a music-centered path. Soon after the heart-flip, Sarah found that the viola suited her better than the violin, enabling her to play “gorgeous music?? instead of soulless “show pieces...
...legion of keyboard-wielding techno-freaks, in some kind of premillennial musical cyborg invasion. The truth was that artists like Prodigy and the Chemical Brothers themselves represented a rock-happy crossover breed, integrating elements from rave culture in order to fashion radio-friendly pop music, and that meanwhile, the music??s core stayed in the domain of underground record labels...
With the release of Rooty, their long-awaited follow-up to 1999’s instant-classic debut Remedy, Simon Ratcliffe and Felix Buxton have firmly planted themselves in the realm of contemporary pop music. And with good reason—within the context of house music??s stomping four-on-the-floor beat, the Jaxx add an array of unexpected elements. Contributing to the mix are destabilizing rhythms gleaned from the likes of Timbaland, catchy melodic hooks and actual song structures, as well as a punk-like immediacy achieved with their startlingly original usage of noisy, densely...