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Word: music (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Some study of art or music or both. --Admission and Scholarship Office

Author: NO WRITER ATTRIBUTED | Title: Admission to Harvard College | 4/24/1959 | See Source »

...they may substitute the names of Korean holidays for the corresponding American dates in his Testament of Freedom when they perform it later this year. And Thompson is being asked for new works all the time. His future plans include two more choral compositions, one commissioned by the Worcester music festival, and the other, a setting of a Frost poem, will commemorate the two hundredth anniversary of the founding of the town of Amherst...

Author: NO WRITER ATTRIBUTED | Title: Music Master | 4/24/1959 | See Source »

Thompson's instrumental music, while less abundant than his choral work, has also been well received. His second symphony, written in 1932, has been performed over five hundred times, most recently by Leonard Bernstein and the New York Philharmonic. "The best thing about it all," says the composer, "is that my pieces are played over and over again. I'm fortunate enough not to have to worry about getting the usually elusive second hearing...

Author: NO WRITER ATTRIBUTED | Title: Music Master | 4/24/1959 | See Source »

Dunster House calls Duet "Two plays for music," apparently indicating that the nature of Arthur Kopit's dramas makes a special provision for more music than the average play allows; i.e., more than a few atmospheric preludes. Well, there is more music than that, but anyone who expects a quasi-operatic commentary on the action will be disappointed. Victor Ziskin and Thomas Beveridge (particularly Mr. Beveridge) have worked rather in the manner of the film composer: a few bars to concentrate the atmosphere during a silence, music for the dances and circus performances Mr. Kopit has thoughtfully provided; low-volume...

Author: By Edgar Murray, | Title: Duet | 4/23/1959 | See Source »

...Music formed a greater part of the fabric of Aubade, a play which might conceivably have been composed as an oversize operatic scena. Mr. Ziskin wrote two longish preludes, a good-sized postlude, and supported the heroine enthusiastically during her moments of crisis. The style ranged from jagged dissonance (which was not too successful) to rapid-fire splashes of delicious French harmony, which Mr. Ziskin handles with great verve...

Author: By Edgar Murray, | Title: Duet | 4/23/1959 | See Source »

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