Word: music
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Dates: during 1960-1969
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With Herman's inability to cope with the property in his music, the duty falls to the authors of the book, Jerome Lawrence and Robert E. Lee. Perhaps failing to see that the songs establish the central character as a nebulous Mame-Dolly figure, they don't make an effort to help their collaborator along. As a result, they do so little that the Madwoman is not fleshed out until the second act. Nor do Lawrence and Lee establish any other character until too late. This is particularly unfortunate in the case of the villains, who are such vague...
With nearly half of its 319 students taking the course pass-fail, Music I also leads in percentage among courses with a pass-fail enrollment of 25 or more. Again Fine Arts 13 runs second, with 37 per cent, and Social Sciences 122, with 24 per cent, is third...
...Music I has attracted the most pass-fail students -- 154--of any Faculty cvourse. Fine Arts 13 runs a close second with 153, and Economics 1 is third with...
Feinstein's movie has everything a movie about his subject should have, I guess: social protest, flower children, music (The Electric Flag, Peter Yarrow, Paul Butterfield, Tiny Tim) and the accompanying dances, psychedelic sequences, meditation, grass, sex. He has filmed the whole thing with the wild abandon we presumably associate with hippiedom: the camera bounces up and down, zooms in and out, swings all over the place. Similarly, the picture has been flamboyantly edited; no sequence stays on the screen very long, and Feinstein often cuts back to bits he has established earlier. Still, for all its airs of freedom...
Star--Despite wonderful music, ranging from Kurt Weill to Cole Porter, an aimless, fruitless movie. The theatrical history, however, is fun, and Julie Andrews and Daniel Massey are likewise as Gertrude Lawrence and Noel Coward. At the GARY, 131 Stuart...