Word: music
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Dates: during 1960-1969
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...Manhattan to California's San Quentin Prison. Tree has mesmerized audiences with the elemental tones he coaxes from his collection of almost 200 percussion and wind instruments. No two concerts are exactly the same. Tree shuns structure-and with it harmony and most other Western musical conventions-in favor of impulse. "Spontaneity is the essence of the creative act," he says. "Spontaneous music is much more vital than other music because it is actually happening...
...recently appeared in such diverse places as the Electric Circus, an avant-garde nightspot, and Wall Street's Trinity Church. He has played for museums and colleges, women's clubs and love-ins. He gives many concerts in hospitals, prisons and schools for handicapped children, where his music often has a therapeutic effect. When he played for the children of a school for the deaf in Los Angeles, they reacted with smiles, laughter and expressions of awe, calling him back for two encores. In ways that are not fully understood by doctors, the emotional response to his primal...
...boyish, Tree sports a luxuriant beard and performs in corduroy jeans and an open-necked shirt. He has never had formal musical training. His interest in music began 16 years ago, when he learned to play a friend's drum after dropping out of Los Angeles City College. He began giving concerts four years ago. To support himself and pay for his 1,000 Ibs. of musical instruments-many of his gongs are on loan from the Santa Barbara Museum-he has worked as a laborer, office clerk and house painter. Despite his meager income from an average...
During its six years on the air, Children's Theater has practiced what Heinemann preaches. It has talked up to children with such varied fare as a musical version of James Thurber's fantasy Quillow and the Giant, a dramatic adaptation of E. B. White's classic Stuart Little and an hour of music by the Boston Pops Orchestra. Earlier this year Theater presented a ballet version of Little Women narrated by Geraldine Page...
Most white Americans will never hear that hip version of the popular Kent jingle, which is sung by a chorus of wailing voices against a background of driving rhythm and blues music. It is beamed only over black radio stations to black audiences. P. Lorillard, the manufacturer of Kent, is one of a growing number of U.S. companies that are making a special effort to woo Negro consumers, who spend an estimated $30 billion a year. In particular, tobacco companies, department stores and cosmetics makers have all found the soul sell an effective conduit to Negro buyers. Because...