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Word: music (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Bernard Cohen '37, History of Science; Frank Moore Cross, Jr., Near Eastern Lang. and Lit.; Cora DuBois, Anthropology; John T. Dunlop, Economics; John Edsall '23, Biology; Howard Wilson Emmons, DEAP; Roderick Firth, Philosophy; Elliot Forbes '41, Music...

Author: NO WRITER ATTRIBUTED | Title: Departments Nominate For Faculty Committee | 4/17/1969 | See Source »

Dylan's new album, Nashville Skyline, which was also recorded by Columbia in the country music capital, extends and culminates his return to basic pleasures. It has an unpretentious charm unmatched by any of the eight albums he has recorded since 1961. Most of the songs are about the delight of secular love, and the swirl of his social satire has given way to an earthy, sometimes self-deprecating humor. The genial, syncopated Peggy Day, enhanced by the long, lazy melodic arch of an electric guitar, begins...

Author: /time Magazine | Title: Recordings: Back to the Roots | 4/11/1969 | See Source »

...found it one night when he heard a fellow boarder at a Los Angeles rooming house playing jazz piano. "He seemed to be having so much fun I just flipped," recalls Mason. Thus ended his ambition to become an insurance actuary; he went to Oklahoma City College as a music major...

Author: /time Magazine | Title: Entertainers: Free Mason | 4/11/1969 | See Source »

...scholarship helped him into Oxford's postwar meritocracy, along with Director Tony Richardson and Sunday Times Arts Columnist Alan Brien. As soon as Brien had a leg up on Fleet Street, he brought along his protégé. Barnes' reputation for fluency was instantly evidenced in music, drama and dance criticism."He just liked to turn on a verbal tap," recalls Brien, "bottle the words that come out and then begin filling the next bottle...

Author: /time Magazine | Title: Critics: Overachiever | 4/11/1969 | See Source »

...limey posterior out in the street." Fellow Critic John Simon fulminated in New York Magazine: "The APA production of The Misanthrope is as bad as . . . as . . . it is hard to find an adequately monstrous simile. As bad-let me try-as its review by Clive Barnes." Dance and Music Critic B. H. Haggin briskly summed up Barnes' critical efforts as "uncomprehending nonsense." The critic's critics have not been entirely unjust. Barnes' manic dance criticism often reads more like promotion than analysis. And frequently a drama review will come down with logorrhea simply because he didn...

Author: /time Magazine | Title: Critics: Overachiever | 4/11/1969 | See Source »

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