Word: music
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Dates: during 2010-2019
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...Come and let me take you back to Plympton Street,” and finally, “Baby won’t you let me show you what it means to be gold coasted all night long,” as House inhabitants dance to the music...
...discussion—which centered around a draft of one of Young’s papers titled “Black Ops and Sleeper Cells: Race, the War on Terror and Popular Culture from Above and Below”—explored how rap music and television shows such as “The Unit” and “Sleeper Cells” manifest changing popular conceptions of blackness and how the media can influence such race issues...
Audience members suggested she contact more black war veterans, explore popular reaction to the television shows and music discussed in her paper, and also that she address the domestic implications that the wars in Afghanistan and Iraq have had on African American soldiers...
...catchy beat with a heretofore rarely seen phenomenon—Leo exercising his vocal range. The novelty extends to “Gimme the Wire,” where riveting electric guitar riffs far outplay the frontman’s singing. For a band that so frequently pummels its music with politically charged lyrics, it’s refreshing to hear the rhythm guitar jam with such fervor, thrill, and prominence (even if, perhaps, unintentionally...
...song slowly crescendos into a restrained chorus followed by a battered-sounding yet triumphant brass band and an exultant guitar solo, as Sickles continues to scream “It’s still us against them.” Even when the aggression of the music is reduced, the forcefulness of the lyrical narrative remains...