Word: music
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Dates: during 2010-2019
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...sound, as a whole the album falls short in its inability to unite such disparate songs into a satisfying record. At over an hour in length, “Measure” struggles to remain cohesive. The band’s decision to explore and indulge all of their musical interests prevents Field Music from putting together what could have been a great record. Nevertheless, the group’s raw talent and invention will certainly identify and define the group amidst its indie pop peers...
...course, this is to be expected—every dollar that goes to a performer is a dollar that does not go to charity. However, the effort involved in performing at the benefit is substantial; groups with upwards of eighty members gathered on short notice to learn new music...
Other performances, like The Drummers of the Pan-African Dance and Music Ensemble’s “Drum Call,” were directly influenced by Haitian art. In one thrilling performance, Sidi M. Camara paced back and forth across the stage while he drummed with inexhaustible charisma. The piece was a medley of vigorous Haitian rhythms, displaying the vitality of Haitian culture. While watching the performance, one got the irrepressible feeling that the energy that animates Haitian culture is still alive and well. Edwidge Danticat, as quoted by Dean Evelyn M. Hammonds, said of the Haitian people...
Celebrity jazz concerts are often dreary affairs—museums of dusty music where real jazz goes to die. Think of beige nights at Lincoln Center, the players wearing stiff suits, anxious to showcase their cool virtuosity while neglecting to tell a story with their music. By comparison, Thursday’s performance of the Monterey Jazz Festival On Tour at the Berklee Perfomance Center, one of 36 nationwide concerts that will take place from February 5 to May 1, was a pleasant surprise. The show, which featured Kenny Barron on piano, Regina Carter on violin, Kurt Elling on vocals...
...success—instead of throwing together a few virtuosic performers with overinflated egos, it showcases a clear model for interactive, thoughtful and creative jazz. Though the concert was rather safe, with a ‘high art’ undertone that went against the grain of the music itself, the interplay between the musicians was inspiring and fresh, providing hope for big jazz concerts to come. Let’s hope they swing this hard the next time around...