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...collection is as much a straightforward mixtape as it is a full disclosure of their tastes and influences. The individual value of each of the 20 tracks on “Tabloid” is apparent to the listener—both in terms of their musical and emotional significance—as a testament to the group’s careful song selection as well as an inspired sequencing of tracks. That much of the offering centers around mid- to late-century rock and soul music is no surprise for a group that got their start playing Hank Williams...

Author: By Ruben L. Davis, CONTRIBUTING WRITER | Title: Smoldering Musical Discourse, Rising from the Ashes | 10/30/2009 | See Source »

...scholars, the Project seeks to teach communities worldwide about the human commonalities and peculiarities that cultural exchange brings to light.The project was born out of a series of conversations between cellist Yo-Yo Ma ’76 and Harvard humanities professors in 1998 about exploring cultural connections through music. Ma sought virtuoso musicians from a variety of traditions to form the Silk Road Ensemble, a group committed to exploring and sharing these traditions and creating new cultural forms—much like travelers did on the famous Silk Road trade route 1,000 years ago.The project then grew...

Author: By Matthew H. Coogan, CRIMSON STAFF WRITER | Title: Reaching the End of the Silk Road | 10/30/2009 | See Source »

...over 10 years now) has heretofore lacked. While this recent introduction to the mainstream speaks to the accessibility of their genre-spanning pop tunes, a series of recent audio and visual releases by the band highlights their passion for fostering a discourse on a staggeringly broad range of music. In doing so, it exposes the underlying complexity of Phoenix’s seemingly simple pop songs...

Author: By Ruben L. Davis, CONTRIBUTING WRITER | Title: Smoldering Musical Discourse, Rising from the Ashes | 10/30/2009 | See Source »

...number of the songs on “Tabloid” are taken from white artists as profoundly influenced by black music as Phoenix has been. Selected gems from these singers and songwriters—Elvis Costello, Dusty Springfield, Lou Reed, the Dirty Projectors, to name a few—are paired with songs by preceding, contemporaneous, and succeeding black artists—The Impressions, D’Angelo. For Phoenix, stylistic connections trump relations of chronology or influence. Placing Elvis Costello’s schmaltzy, intricate “Shipbuilding,” just before D’Angelo?...

Author: By Ruben L. Davis, CONTRIBUTING WRITER | Title: Smoldering Musical Discourse, Rising from the Ashes | 10/30/2009 | See Source »

...complementary work, the recently released and aptly titled video piece “Musicvision Phoenix” brings their fostering of musical dialogue to a new (and more literal) level. Running nearly 70 minutes, and consisting of little more than shots of a spinning turntable with the band’s commentary edited over the music, “Musicvision” is certainly a commitment. The video, directed by Guillaume Dellaperriere, confirms what Phoenix was only able to say through implication on the Kitsuné record. A song by foundational ’60s band The Red Krayola...

Author: By Ruben L. Davis, CONTRIBUTING WRITER | Title: Smoldering Musical Discourse, Rising from the Ashes | 10/30/2009 | See Source »

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