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...Sunday's Peace Without Borders show, complete with the death threat he received from an anti-Castro militant on Twitter and the insults hurled at Miami's Cuban exiles from the newspaper Granma and other mouthpieces of the Castro regime. (See pictures of the fading legacy of Cuban music on the island itself...

Author: /time Magazine | Title: Cuba's Mega–Rock Concert: A Win-Win for Juanes | 9/21/2009 | See Source »

Sandel: He said justice was a matter of desert of honoring excellence, [music begins playing] the best flute player. And in a way, these debates, he didn’t argue about same sex marriage, in a way the question is?...

Author: By Michelle L. Quach | Title: Harvard's Philosopher King Brings Justice to the Masses | 9/20/2009 | See Source »

...sorority sisters around like footballs. Lesson learned: they all end up dead, maybe. The most egregious sin is the movie’s total lack of suspense. Imminent danger is signaled by the scraping of the murderer’s weapon (a tire iron) against a wall. Suspenseful music, by contrast, delivers no thrilling action, and thus becomes such a frustrating aspect of the movie that by the end there is no uncertainty—however fleeting—of what comes next. Both “Sorority Row” and Theta Pi eventually go down in flames...

Author: By Brianne Corcoran, CRIMSON STAFF WRITER | Title: Sorority Row | 9/18/2009 | See Source »

...sound, in part because The Dodos are now a trio. New member Keaton Snyder’s vibraphone augments Long’s vocals and acoustic guitar, as well as Kroeber’s drums. The xylophone-like instrument contributes to the Dodo’s new, more complex musical approach, but it is not the only culprit. In addition to the added vibraphone, producer Phil Ek (Built to Spill, The Shins) establishes a more layered sound. Though this results in the best Dodos record for headphones, the thicker sound is disappointingly inorganic. The enveloping blanket contains some interesting elements...

Author: By Candace I. Munroe, CRIMSON STAFF WRITER | Title: The Dodos | 9/18/2009 | See Source »

...comedy of Whitacre’s free association wears off over the course of the film. As it becomes apparent that Whitacre is leading more than one kind of double life, the movie’s unvarying cheerful tone begins to feel increasingly grating. The same upbeat, repetitive music that accompanies Whitacre’s first jaunty walk into his office also plays when the FBI conducts a raid on ADM. This overwhelming cheer stems from the narration, which is almost entirely from Whitacre’s delusional point of view. The narration also renders the supporting characters rather flat...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: The Informant! | 9/18/2009 | See Source »

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