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...that “absurd talk” may obscure any deeper meaning, the experience alone is bizarrely engaging. Characters merge and switch roles, slip without warning into gaudily staged dance routines, and ramble about six-foot moles and eating paper as the story follows Leah from traumatic childhood music lessons to the death of her husband, making all sorts of incomprehensible pit stops along...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Absurdity Obscures Meaning, Not Experience | 3/30/2010 | See Source »

Haynes’ passion for his life and music is infectiously apparent. At the microphone, he exudes a witty enthusiasm. At the drums, his joyful energy seems limitless. Eyes closed with a broad smile spread across his face, he throws his arms high in the air before bringing them snapping down on his high-tuned snare. Haynes never stops moving for an instant. During a wonderfully moody rendition of the Cole Porter classic, “My Heart Belongs to Daddy,” he rocketed the intensity through a magnificent arc: starting at a whisper, he rose...

Author: By Jon J. Andrews, CONTRIBUTING WRITER | Title: Roy Haynes Excels in Birthday Concert | 3/30/2010 | See Source »

...music, nevertheless, oftentimes doesn’t make up for the insipid subject matter and silliness of the album’s lyrics, which are the weakest point of “Raymond v. Raymond.” A perfect example of this is “OMG,” featuring and produced by The Black Eyed Peas’ will.i.am, perhaps the most ridiculous track. Another ode to club hookups, the lyrics show that a poet Usher is not, as he laughably attempts to describe the woman he has fallen for by singing, “Honey...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Usher | 3/30/2010 | See Source »

...doesn’t want to know how long the line is? Who doesn’t want to know how packed the club is? Who doesn’t want to know what the girl/guy ratio is like? What music is playing right now?” said Zainabadi...

Author: By Michelle B. Timmerman, CRIMSON STAFF WRITER | Title: Clubs From Your Computer? | 3/30/2010 | See Source »

...Disappointing” does not quite do justice to the atrocity that is the show’s music, composed by Joshua Schmidt. Despite going for the experience of a chamber musical—which feels more like a play with music than a traditional musical—some numbers are actively painful to suffer through (such as “Ham and Eggs” and “Freedom!”), and several others feel underdeveloped...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: ‘Machine’ Fails to Add Up to Success | 3/30/2010 | See Source »

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