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John Kapusta, a recent graduate of Harvard’s joint-degree program with the New England Conservatory, is currently studying voice and French classical vocal music on a Fulbright scholarship in Paris, according to the Gates Cambridge Scholarship Web site. Kapusta will focus on performance studies while at Cambridge. He could not be reached for comment last weekend...

Author: By Stephanie B. Garlock, CRIMSON STAFF WRITER | Title: Four Harvard Students Receive Gates Scholarships | 2/16/2010 | See Source »

...album, plus Montag's extreme plastic surgery, has made her less of a fan. "The world was her stage, and her life was a show," Carney says. "Unfortunately, it looks like she bought tickets to her own show." Carney thinks it's highly unlikely that Montag's music career will continue: "All 658 of us are not going to rally to go to a Heidi Montag concert." If they did, it would be sad because there would be nobody at home to read their live blog...

Author: /time Magazine | Title: Heidi Montag, Spencer Pratt and the Limits of Celebrity | 2/15/2010 | See Source »

Carney just found out that she knows another Superficial buyer - her friend David Esquivel. Actually, Esquivel, 23, hates Montag but bought the album to review on his music blog, PopOnandOn.com However, he couldn't find anything on the album worth blogging about. Let me repeat that: He couldn't find anything worth blogging about...

Author: /time Magazine | Title: Heidi Montag, Spencer Pratt and the Limits of Celebrity | 2/15/2010 | See Source »

...Nico-like vocals from singer Victoria Legrand and atmospheric instrumentals by bandmate Alex Scally. Each song was wrapped in a thick, dark haze, all lazy drum-machine beats, ghostly organs and retro synth lines. If you were ever to hear one in a movie, it would be as background music to a mysterious woman dancing in the twilight. By album No. 2, Devotion, that sound was so rigidly set that it seemed as if the duo had run slowly but beautifully into a dead end. Why mess with perfection...

Author: /time Magazine | Title: Taste of Spring | 2/15/2010 | See Source »

Most significant, though, is Scally's move from a drum machine to what appears to be actual percussion. It helps Beach House sound like a real band instead of just a couple of talented people making music together. "Used to Be," with its crashing cymbals and plinking piano, builds to a series of crescendos unlike anything the duo has done before. And though the two never spell out what's meant by the titular teen dream, you can imagine it to be that elusive high school crush who draws you in while somehow keeping you at arm's length. That...

Author: /time Magazine | Title: Taste of Spring | 2/15/2010 | See Source »

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