Word: musicalâ
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...fact there is no going back; to gaze at the rearview mirror guarantees a crash. The best of Follies indicates that the art of the theater, like all art, must renew itself by destroying tradition or by using it in fresh ways. Follies amply demonstrates that the musical???America's single greatest contribution to the history of drama?need not become the exclusive province of the antique dealer or the rock group. In style and substance it can be as flexible as a film, as immediate as a street scene. Lyrics need not be laundry lists; melody need...
...Musical???AMERICA'S SWEETHEART, FINE & DANDY, GIRL CRAZY, THE NEW YORKERS, THREE'S A CROWD., YOU SAID...
...Musical???A M E R i c A ' s SWEETHEART (splendid, with Rodgers & Hart music); FINE & DANDY (Joe Cook & machines); GIRL CRAZY (splendid, with George & Ira Gershwin music); THE NEW YORKERS (splendid, with Cole Porter music); THREE'S A CROWD (Clifton Webb, Libby Holman, "Admiral" Fred Allen); You SAID IT (Funnyman Lou Holtz as a collegian...
...Musical???FINE & DANDY (Joe Cook), GIRL CRAZY (music by the brothers Gershwin), PRINCESS CHARMING (elaborate) THREE'S A CROWD (Libby Holman, Free Allen, Clifton Webb...
...Musical???EARL CARROLL VANITIES (TIME, July 14), FINE & DANDY (TIME, Oct. 6), LITTLE SHOW (TIME, Sept...