Word: musical
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Dates: during 1990-1999
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...reminiscing. Unfortunately, Nascimento often sounds like a wedding singer gone bad, and it's hard to sit through his version of "Beat It" with a straight face. The romance of the Spanish lyrics might hold your interest through the first song or two, but then the '80s elevator-music feel begins to shine through. In "Mas Que Nada," his voice is never powerful enough to generate any true get-up-and-swing Latin excitement. If you decide to avoid sure humiliation in your roommate's eyes by programming "Beat It" and "Ooh Child" out and listening to only the Spanish...
...second compilation of songs from NBC's Thursday-night ratings juggernaut is a collection of somewhat monotonous Savage Garden sound-alike music. While dozing off to depressing, somber tunes about love, relationships and the strife between men and women crooned by famous artists such as Smash Mouth, Duncan Sheik and Lisa Loeb, the highlight of the record is most certainly the sound bites of the dialogue from the series itself. Although these depict the atrocious acting skills of Jennifer Aniston and the like, they break up the droning monotony of the songs...
...Fifteen questions completed, Ryan headed off to the DJ booth, and I stood aside as the magic that is the music of Spin Cycle began...
When I was in the ninth grade, I took a music history class especially designed for those of us who liked to listen to music but had no business playing it. Our teacher was a smart, enthusiastic 20-something with an unholy knowledge of pop music trivia and lyrics from musicals. Needless to say, we loved her. The highlight of the class was the week we watched "West Side Story" on videotape and discussed the musical's roots in Shakespeare's "Romeo and Juliet," the socially conscious message of the show and the Boston background of composer Leonard Bernstein...
Reaching back to my memories of ninth grade music history, this is what I learned about "West Side Story": it's a love story in which two teenagers, Tony and Maria, fall for each other against the backdrop of inner-city New York gang fighting. The musical's script, by Arthur Laurents, updates Shakespeare's tale of Capulets and Montagues by casting a gang of white New Yorkers against a gang of Puerto Rican immigrants...