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Word: musicalities (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...past year and a half, NBC's 25-kilowatt W 3 XL, its power stepped up to the equivalent of some 150 kilowatts by a directional beam antenna, has sent in the direction of Germany's 5,000,000 shortwave receivers an hour of news, music and Americana calculated to reach Germans between eight and nine o'clock at night...

Author: /time Magazine | Title: Radio: For German Ears | 1/30/1939 | See Source »

...notch but are lifted from previous Coward shows in London. For the rest, except for some nimble lyrics, Set to Music is Coward lazily repeating himself, once or twice turning sentimental with his usual bad taste, or trusting to luck and Lillie...

Author: /time Magazine | Title: The Theatre: First-Night Fever | 1/30/1939 | See Source »

Last week the season reached its limou-zenith: Cafe Society's favorite performer, Beatrice Lillie, headlined a revue, Set to Music, by Cafe Society's pet playwright, Noel Coward. Autograph fiends were in Heaven, pressed together as close as the cards in a sealed deck. A battery of photographers flashed their bulbs as into the Music Box streamed the John Barrymores, Prince Serge Obolensky, Margo, Tallulah Bankhead, Major Bowes, Douglas Fairbanks Jr., Hope Hampton, Lady Castlerosse, Lucius Beebe, many another...

Author: /time Magazine | Title: The Theatre: First-Night Fever | 1/30/1939 | See Source »

Thirty-five years ago, before Stravinsky and the Viennese Atonalists had cut their modernistic teeth, a shy, bearded Yankee named Charles Ives was busy writing his own kind of modernist music. Nobody paid much attention to Composer Ives's strange, complicated scores. But little by little the few music-lovers who did hear them began to realize that Ives was neither a trickster nor a crackpot, but a writer of real, live music. Today Ives is regarded even by conservative critics as one of the most individual and authentically American of all U. S. composers. But performances...

Author: /time Magazine | Title: Music: Insurance Man | 1/30/1939 | See Source »

Most swing enthusiasts are bored by highbrow music; most concertgoers are irritated by swing. But the world's No. 1 highbrow fiddler, Joseph Szigeti,* and the world's No. 1 swing clarinetist, Benny Goodman, have long admired each other. When Hungarian-born Szigeti heard Goodman last year, he was so impressed that he wrote home to his friend, Composer Bela Bartók, asking him to compose something that he and Goodman could play together. Absent-minded Bartók didn't even bother to answer, but surprised Szigeti a few months later by sending...

Author: /time Magazine | Title: Music: Hungarian Rhapsody | 1/23/1939 | See Source »

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