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Word: musicalities (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...late George Eastman, onetime office boy who founded, developed and headed the $177,000,000 Eastman Kodak Co., couldn't recognize a tune or tell one note from the next. But George Eastman wanted desperately to like music...

Author: /time Magazine | Title: Music: Incubator | 5/8/1939 | See Source »

...white-haired Eastman founded a $17,000,000 school of music in Rochester. This huge establishment was somewhat grandiose for a town of Rochester's size, but the Eastman School of Music flourished, and is today counted one of the most important music conservatories...

Author: /time Magazine | Title: Music: Incubator | 5/8/1939 | See Source »

...director for their music school, Eastman's executives in 1924 picked a boyish, bearded, 28-year-old Nebraskan named Howard Hanson. Director Hanson's main interest was composition, and it was not long before he had turned Eastman's music school into a gigantic incubator for young U. S. composers. For them Director Hanson provided classes in counterpoint, a symphony orchestra, and even a ballet company to play their works. He installed a recording system, made phonograph records of students' lopsided sonatas and sway-backed symphonies, so that they could study their faults over & over again...

Author: /time Magazine | Title: Music: Incubator | 5/8/1939 | See Source »

Last week Rochester held its ninth Annual Festival of American Music. At festival's end patient Rochesterians had sat through so many new U. S. compositions, that they would have clutched 0 Sole Mio or Ach Du Lieber Augustin like a drowning man. Most-talked-about item of the series: a symphony by a 20-year-old post graduate Eastman student named Owen Reed. Some critics found Reed's brief, concise opus somewhat monotonous. Not so Director Hanson, who spoke of it with exuberant breath: "Comparison of Reed's work with Beethoven's can be made...

Author: /time Magazine | Title: Music: Incubator | 5/8/1939 | See Source »

...There is an enormous difference," explains Director Hanson, "between music that is well-knit and sounds like Hell, and music that doesn't sound the way the composer intended it to sound. The first is competent musicianship; the second is not. . . . A competent composer deserves at least one hearing before an audience...

Author: /time Magazine | Title: Music: Incubator | 5/8/1939 | See Source »

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