Word: musicalities
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Dates: during 1930-1939
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President of the Institute is Nathaniel Saltonstall, first cousin of Massachusetts' new Governor. Director is a young (27), bespectacled Harvardman ('33) who studied Fine Arts in college because he thought it was a snap course, wrote the music for a Hasty Pudding show, still likes playing tennis and skiing as much as working with pictures: James Sachs Plaut (rhymes with flout), who was assistant curator of paintings at the Fine Arts Museum before the Institute hired him last year. More young Bostonians went to his show last week than the Museum had seen for years...
...scattered throughout the University. In spite of the fact that Romance Languages annually attract a greater under of students than the German Department, nothing comparable to the Germanic Museum exists. A student interested merely in French civilization must visit five buildings: French art is displayed at Fogg, French music is available in Paine Hall, French literature high up in Widener, French phonograph records at the Union, and French movies at the Geographical Institute. Nowhere is there a permanent exhibit of French photographs, maps, sketches, statues, or paintings; nor is there any logical center for French extra-curricular lectures...
...latter to keep its thirty-five cent Vocalion line, drop the price of Brunswick labels to fifty cents, and put the Columbia classical series out at seventy-five cents. Looks as though the record public is going to be able to just sit around and have better music, recorded with more fidelity, at less money than every before...
...line with a policy of printing columns by men in the University who are expert in a special subject, the CRIMSON will open a short competition for the positions of Music and Art columnists on Monday night at 7:30 o'clock...
...music columnists will be given two tickets to the Boston Symphony Orchestras concerts each week and other privileges. The competitors will hand in several samples of their work on which they will be judged...