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Circa 2005 the Canadian music scene began to be stirred up and investigated by American indie lovers intrigued by discoveries of The Arcade Fire, The Dears, or Broken Social Scene, among others. Malajube has certainly benefited from the heightened interest, but unusually so, acquiring an international fan-base without catering to an English-speaking audience. Characterized by epic orchestration and multilayered instrumentation, Canadian indie rock bands have developed a cohesive sound that Malajube employs, but to an much brighter end overall. The band’s third release, “Labyrinthes,” is driven by poppy, upbeat...

Author: By Erika P. Pierson, CRIMSON STAFF WRITER | Title: Malajube | 2/12/2009 | See Source »

...while piling up your plate, know that the cooks love Rihanna just as much as you do. The radio stations are chosen by the dining hall staff, and while you can count on hearing Top 40, classic rock, or oldies in most houses, not all d-hall music is created equal. Afternoons at Quincy are dominated by oldies, the bosses’ favorite, with classic rock coming on after 4:00 p.m. But when Mike L. Charles is working, expect to hear some rap up in Quincy House. “That’s usually played on Saturday nights...

Author: By Samantha L. Connolly, CRIMSON STAFF WRITER | Title: Peanut butter and jams: your dining hall playlists explained | 2/12/2009 | See Source »

It’s hard to make fun of people who display immense earnestness. Hurling well-aimed boomerangs at themselves in an attempt to make others laugh with them rather than at them, Chester French pulls no punches in their premiere music video. Unfortunately, it seems like people will be laughing, heartily, at Chester French while watching their video. In “She Loves Everybody,” D.A. Wallach ’07 couldn’t possibly have looked nerdier—he sports a curly Jew-fro and bowtie—while singing about having safe...

Author: By Edward F. Coleman, CRIMSON STAFF WRITER | Title: POPSCREEN: Chester French | 2/12/2009 | See Source »

...exhibition, which opened last Saturday and runs through August 16, displays over 250 posters, stencils, stickers, rubyliths, and ephemera made by Fairey and members of his studio over the course of the past two decades. Divided into seven themed rooms—Propaganda, War and Peace, Stylized, Music, Portraiture, Hierarchies of Power, and Question Everything—the works trace the evolution of his experiment and its influences through punk rock disobedience, skate culture, pop art, politics, propaganda, and capitalism. A glossary of terms on the exhibition pamphlet, itself designed as a piece of advertising, includes words ranging from...

Author: By Anna K. Barnet and Joshua J. Kearney, CRIMSON STAFF WRITERS | Title: Shepard Fairey and the Obedience Paradox | 2/12/2009 | See Source »

...year-old teacher of Harvard’s newest music class doesn’t notice students coming in as he discreetly dances to Beyoncé’s “Single Ladies.” Playing from his iPod, the song fills the room. When class starts, he stops dancing—for the most part, at least—but the iPod never goes away.The students of this music class are more likely to study Bob Dylan and Michael Jackson than Beethoven and Mozart. In fact, Backstreet Boys is on the syllabus...

Author: By Charleton A. Lamb, CRIMSON STAFF WRITER | Title: 'Songs' Find Home in Adams | 2/12/2009 | See Source »

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