Word: musicalities
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...takes on all sides, arguing that fans and detractors alike have advanced illogical, dishonest and offensive arguments about why the genre is bad and why it's great. She spoke to TIME about how radio is killing hip-hop, why artists need to take more responsibility and what the music used to be like...
...they're both very talented. If you look at the metaphors Lil Wayne produces, they're amazing; they're very creative. It's the substance. What are you making metaphors about 24 hours a day? Same thing with Jay-Z. Even he has acknowledged that he's "dumbed his music down" so that he can sell records. This economic imperative has had more of an impact on hip-hop than [on] rock or soul...
...mostly for fun and for play. It wasn't primarly an economic industry, where people got involved more for money than for creativity. It had live community origins. When you really produce music in live community settings, you can't get away with a lot of what they get away with in studio-generated spaces. You had block parties where you had multigenerational consumption. You have 12-year-olds, 18-year-olds, 30-year-olds, 70-year-olds, all at the block party. They live there. They're hanging out. They're not going to listen...
...causes violence. This is a very common argument that's been made pretty much from the beginning. There are a number of things that are wrong with this. One is that it posits an incredibly simpleminded causal relationship between music that has violent narrative in it and actual violent action. Hip-hop takes the bigger weight for this problem than anyone else. And the reason it takes such a big weight is not because it's any more violent than slasher movies or than horror movies or action movies in general but because there is a denial about the violent...
...this point, the rest of the prep work had been taken care of: they’d arranged the music, written the storyline, and constructed the props. One crucial detail remained—the drill routine. The only person who knew it by Saturday morning was Max S. Mishkin ’09, the Band’s drill master. It was up to him to make sure that by the end of rehearsal, everyone would be ready for the show. This routine would be Mishkin’s last for the Band. In fact...