Word: musicalities
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...first HSM, which is repeated here in a more liturgical version, as if the young Phil Spector had remixed the You-Know-Which Tabernacle Choir. But the title number, sung at the end by the company, locates some of the separation anxiety of the mid-teen years. The music is perky, the undertone poignant: "I just hope the rest of my life / Will feel as good as my / High school musical, who says we have to let it go? It's the best part we've ever known. Step into the future, but hold on to / High school musical...
...first HSM, which is repeated here in a more liturgical version, as if the young Phil Spector had remixed the You-Know-Which Tabernacle Choir. But the title number, sung at the end by the company, locates some of the separation anxiety of the mid-teen years. The music is perky, the undertone poignant: "I just hope the rest of my life / Will feel as good as my / High school musical, who says we have to let it go? It's the best part we've ever known. Step into the future, but hold on to / High school musical...
...these are reactions to your problems created by your systems - why should we listen to anything you say now?'," Lannoo says. "The challenge isn't just finding ways to prevent future excess, but also to convince nations like China and India to agree to turn off the music and quiet down when they've only just arrived at the party...
...grander scale, can bowstring diplomacy achieve anything? American orchestras have been musical ambassadors before. The Boston Symphony Orchestra played the Soviet Union in 1956, but the Cold War dragged on for decades. The Philadelphia Orchestra played Beijing in 1973, yet formal relations between the two nations weren't established until 1979. Even if you watch the NYP's Pyongyang adventure in slo-mo, you won't spot Kim Jong Il making nuclear concessions in a balcony suite while seduced by the universal language of music (he didn't attend). But at least you will see, at the concert's close...
Amid the relentlessly changing cityscapes of Beijing and Shanghai, a new kind of music is being made. In terms of its discordance and abstraction, it compares to Dada, or the New York City and Berlin avant-garde movements of the 1970s. Yet something about it - a certain urgency and iconoclasm - could only have been spawned amid the wild experiment that is modern China itself. The country's punk and alternative-rock scenes have been gushed over by excited commentators, eager to cite them as evidence of China's changing mores. But they are staid in comparison to that created...