Word: musicalities
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...prosperity finally ebbed and a generalized post-Vietnam enervation set in, much of rock turned merely slick. But along came a fresh cohort of bratty youngsters convinced of their own exceptional purity, and so a dozen years after the rock-'n'-roll youthquake, punk music appeared -- crude, youthful, exuberant, sullenly anarchic, objectionable to grownups. In the late '80s, as go-go prosperity ebbed and post-Reagan enervation set in, yet another raw, out-with-the-old rock paradigm arrived on schedule: the astringent musical and emotional impulse driving alternative bands strikingly resembles that of the Clash in 1977 or, even...
...being copied or co-opted by the mainstream. "One of the things that I think has really affected the underground negatively," says Bill Wyman, columnist for a Chicago alternative newspaper, "is this whole idea that this is 'our' little scene, it's for us, we play really loud music, we don't want fans, we don't want major record deals, it's uncool to be popular and to publicize your band...
...these parameters that are bandied about in the alternative-music community are ways of criticizing people," says Smashing Pumpkins singer Billy Corgan. "And again, it goes back to high school. You know, I don't like the clothes that you wear. That just becomes what alternative music is rebelling against...
...ride the wave/ Where it takes me," Vedder sings, imagining he is singing to his lost father, dreaming that he is uniquely himself but still somehow an amalgam of his father and his past. "I'll hold the pain/ Release me." It's a healthy attitude in a music genre ruled by high school passions. If he keeps it, the dropout who became a rock star may be ready for the head of the class...
DIED. Alan Jay Lerner, 67, composer, playwright and lyricist of Broadway hit musicals, including Brigadoon, My Fair Lady, Camelot, Paint Your Wagon and Gigi, and author of the screenplay for An American in Paris; of lung cancer; in New York City. Lerner worked with Kurt Weill and Leonard Bernstein, but his greatest successes were produced during a tempestuous, 20-year collaboration with Frederick Loewe (Lerner wrote the book and lyrics, Loewe the music). The partnership broke up in the early 1960s, but last year, at the Kennedy Center in Washington, the two were jointly honored for their contributions to American...