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Word: musicalities (lookup in dictionary) (lookup stats)
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SHOPPING Vienna is known for its classical music, but what few people know is that it is also the cradle of what is now called lounge music. Black...

Author: /time Magazine | Title: Vienna | 11/19/2007 | See Source »

...private property by those under 21. Yale doubled its security detail from the 2005 Game and increased the number of on-site toilets tenfold, according to a widely forwarded e-mail sent by Yale sophomore Kyle Briscoe, a member of the Calhoun College Council. In addition, Yale limited the music to one official DJ, located in the Yale tailgate area. Ryan M. Travia, Harvard’s director of alcohol and other drug services, wrote in an e-mail that he had not received notice of any alcohol-related hospital admittances. Students said the festivities at Yale were a marked...

Author: By Victoria B. Kabak and Natalie I. Sherman, CRIMSON STAFF WRITERSS | Title: Tailgaters Flout Drinking Rules | 11/19/2007 | See Source »

These two plays featured a geometrically triangular relationship between the artist, words, and music on stage. Epstein looked out and addressed the audience from atop a small, central stage as Solis and the musicians stood on either side of him. One of the world’s most experienced Beckett actors, Epstein deftly conveyed the tiresome and even agonizing perspective of an artist through his contorted expressions...

Author: By Juli Min, CRIMSON STAFF WRITER | Title: ‘Beckett at 100’ Still Going Strong | 11/18/2007 | See Source »

...television audience into the live audience’s consciousness was featured prominently on stage—a marked contrast from the “On Air” sign that hung unobtrusively in an upper corner during the first two plays. The triangular dynamic of artist, words, and music became a four-point relationship between Voice (Epstein), Man (Solis), the camera, and a screen placed on the stage...

Author: By Juli Min, CRIMSON STAFF WRITER | Title: ‘Beckett at 100’ Still Going Strong | 11/18/2007 | See Source »

...Fractured” were compelling pieces, each approaching human connections from different angles. Although the first two pieces were well choreographed and performed, “On the Brink” completely outshone the preceding performances. “A Time Upon Once,” with musical accompaniment by Mike Vargas, was notable for its improvisation. Although its free-flowing nature necessarily made the piece feel less polished, the cohesiveness of the dance showed how well the performers worked together on stage. The dancers, all senior students at the Conservatory, brought a great deal of energy to their parts...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Striking ‘3 X 3’ is a Square Success | 11/18/2007 | See Source »

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