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...Today EastEnders is menaced by something far more dangerous than a rival show and way deadlier than any serial killer dreamed up in a script meeting: the digital revolution that's wreaking global havoc in industries as diverse as broadcasting, newspapers, magazines, film and music. Challenged by technologies that allow anyone to read news, watch TV or listen to music on a bedroom computer (or to make these things oneself for consumption by other people on the same computer), these businesses are frantically scrambling to reinvent themselves. EastEnders must now fight for an audience not just with other terrestrial channels...

Author: /time Magazine | Title: Bad News at the BBC | 10/25/2007 | See Source »

...shuttles back and forth between Cambridge and Prague in the years between the 1968 Soviet invasion and the "velvet revolution" of 1989. It's an exploration of political repression and commitment (with a typically Stoppardian digression into Sappho's poetry), but also a celebration of the rebel rock music that, in Stoppard's view, was as potent a force for revolution as Vaclav Havel's speeches. Scenes are punctuated with the sounds of groups like the Rolling Stones and the Plastic People of the Universe, a Czech band imprisoned during the Soviet crackdown--with a special nod to Syd Barrett...

Author: /time Magazine | Title: Theater: Elitist, Moi? | 10/25/2007 | See Source »

Stoppard's passion for rock music dates from his days in Bristol, where he would see most of the touring music acts that came to town--among them Frank Sinatra (who played the Bristol Hippodrome in the early '50s and didn't sell out), the Everly Brothers and Eddie Cochran, the rockabilly singer whose British tour ended when he was killed in a car crash in 1960. Like everyone else, Stoppard embraced the Beatles and Rolling Stones when they came along, but he admits to being a late bloomer when it came to Pink Floyd. "I ignored them completely...

Author: /time Magazine | Title: Theater: Elitist, Moi? | 10/25/2007 | See Source »

...been whittled down to a single member.The intrepid flautist Henry Gassett ’34 (1834, that is) played on in solitude before convincing another flautist to join him in duets, and eventually coaxing others to help reinvigorate the organization.Besides the HRO, one of America’s oldest musical organizations, other groups ranging from the Harvard Glee Club to the Boston Symphony Orchestra can trace their roots back to the Sodality.The road to tomorrow’s performance has been a rocky one, both in the institution’s recent and distant past. But its members and leaders...

Author: By Eric W. Lin, CRIMSON STAFF WRITER | Title: 200 | 10/25/2007 | See Source »

...this afternoon, the curtain will rise on “Tango! Dance the World Around: Global Transformations of Latin American Culture,” a weekend conference in Radcliffe Yard that will interrogate these riddling definitions through a unique combination of theory and praxis.“We have music and we have dance,” says Homi K. Bhabha, the Rothenberg professor of the humanities, who will moderate the interdisciplinary conference. “And we have something even more interesting, which is, we are continually moving between language and dance.”BHABHA AND BOUNDARIES?...

Author: By Alison S. Cohn, CRIMSON STAFF WRITER | Title: Conference Tangoes Across Disciplines | 10/25/2007 | See Source »

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