Word: musicalization
(lookup in dictionary)
(lookup stats)
Dates: during 1970-1979
Sort By: most recent first
(reverse)
Everybody dances together, young and old alike, and every now and then the whole party forms a giant human chain which cavorts about before ending in a hopeless jumble of arms and legs. The music and dancing vary from French folk to American rock. Even my patron, M. Vallet, tried boogeying to the strains of Saturday Night Fever...
...pure. By day the club is a pleasant bar and restaurant, but when the last diners leave, the door is locked and only the select can enter. The man who answers the door after three quick knocks nods Martinez into the red-draped dark room, with music blaring from a four-piece Latin band. After a round of beer with his friend the middleman, Martinez makes the transaction and goes home...
...dozen young dancers who are crowding the established stars. And it also has Mikhail Baryshnikov, ballet's reigning superstar. Last week the company gave the world premiere of a showcase for some of the explosive talent: Jerome Robbins' The Four Seasons, set to snippets of Verdi ballet music, most of it from I Vespri Siciliani. There is nothing very deep here, but the work is a flashy hit. Ballet, like opera, is a virtuoso art. There are a lot of high Cs for the young dancers who portray the seasons of the year, and for Baryshnikov the scale...
...often has in the past, Robbins has made roles that enhance young dancers like Nichols, Watts and Duell. He has also shrewdly exploited the technical gifts of Baryshnikov, whom Robbins calls "a superhuman instrument." (The Fall segment will also be danced by Peter Martins with different choreography and music, to show off his serene purity of line.) On opening night, The Four Seasons was on the program between two Balanchine masterpieces, Concerto Barocco and Symphony in C. Those ballets were brutal competition for the new work, which nonetheless won the crowd with its buoyancy and élan. Rossini once said...
...contrived a surreal kind of existentialism. In his masterpiece, The Glass Bead Game (or Magister Ludi, the English title), composed during precisely the years when Hitler consolidated his power, Hesse invented his own classical serenity, all civilization encoded in an infinite chess game to be played like the Pythagorean music of the spheres, but in a motionless universe. The book was completed in Hesse's Swiss redoubt at Montagnola just about the time that Dachau and Auschwitz were becoming busiest. An overheated concern with relevance was not one of Hesse's faults...