Word: musicalization
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Dates: during 1970-1979
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They managed a lone hit, "Different Drum" in 1967, but the group eventually split, leaving Ronstadt to fulfill the Capitol contract as a solo vocalist. Then the '60s turned to the '70s; and the dark-haired, wide-eyed, carefree spirit of the California music scene hooked up with producer Peter Asher and soon evolved into a sensational new female vocalist. Five platinum albums later, the innocent Arizona teenager has risen in stature to the top of the heap, taking over as rock's leading female vocalist...
...disc includes the standard rocker, this time a Chuck Berry tune called "Back in the U.S.A." With guitarist Waddy Wachtel supplying the characteristic riffs that made Berry's mid-fifties music so popular, the track has become an AM/FM hit single, a sure-fire get-up-and-boogie rocker. But it lacks the power of "Tumbling Dice" or the throaty intensity of "Heat Wave." The song is thin throughout and doesn't hold its own among the other works on this album...
...album's best ballad comes from the music of a Ronstadt favorite, J.D. Souther, whose songs have consistently strengthened her albums. This time she picks a slow love song, backed by a sweet pedal steel. "White Rhythm and Blues" ends side one with a sweet, sentimental tone, Ronstadt's voice enveloping the soft electric piano of Dan Grolnick, whose keyboard skills are heavily used in this album...
...poignancy that makes Ronstadt's slowest songs click. A 1934 Oscar Hammerstein song, "When I Grow Too Old to Dream," despite a pretty electric piano line, also falls short. Ronstadt plays with a cutesy, childlike voice which makes the song sound almost like a nursery rhyme set to music...
Upon entering the Nautilus room of the Indoor Track and Field facility you will behold what resembles an art deco torture chamber from which you can hear a cacaphony of screams, groaning chains, and disco music...