Word: musicalization
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Dates: during 2000-2009
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...really can’t make it in time, you can always head to the Scullers Jazz Club (400 Soldiers Field) tonight to hear Kurt Elling sing the music of Johnny Coltrane and John Hartman. Tickets are $28, and there are shows at 8 and 10 p.m. Get the details here...
...have to be rhythmically gifted to succeed either. Zamor says she was an overweight graduate student who spent most of her time tied to a computer at a desk before rediscovering the hula hoop at a music-and-arts festival in Los Angeles. "When I got my hoop, I was not a natural," says Zamor, who can now twirl a hoop on virtually every body part, "but I kept practicing and realized that it was something that can be self-taught, even for people who have never hooped in their lives." What's more, says Zamor, hooping cut her stress...
Most songs off of Mika’s new album, “The Boy Who Knew Too Much,” could have been plucked directly from a musical; in fact, both of his albums, with their kitschy, infectious melodies and impressive vocals, could be described as show tunes for people who don’t listen to show tunes. The overdramatic, theatrical quality of Mika’s music renders it as appropriate for a Broadway stage as for a packed dance club or rowdy road trip sing-along. Characteristic of Mika’s style, this degree...
...Putting It Together” is the musical theater equivalent of Frankenstein’s monster. Just as Igor was dispatched to gather brains, arms, and legs from graves, so too does writer Stephen Sondheim pull together parts of other works to form a completely new whole. Opening tonight in the Loeb Experimental Theater, this revue of Sondheim’s work aptly combines songs from disparate musicals to form a “Reader’s Digest” of his oeuvre. For the director and cast, it’s simultaneously a simple, bountiful musical buffet...
...Emma, Forever Ago,” the 2007 debut album written, performed, and produced by Wisconsinite Justin Vernon. Part of the success of the album was the stark and at-times haunting instrumentation that supported his hymnal voicing. In Vernon’s newest project, an entirely new musical setting from the one established in “For Emma” surrounds these same vocal styles, yet it is just as moving. “Unmap,” is a collaboration with the Milwaukee-based instrumentalists Collection of Colonies of Bees (CoCoB), released under the name Volcano Choir...