Word: musicalization
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Dates: during 2000-2009
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...sandwiches. Goethe is porcelain statue. A suitcase is packed by Randi. A suitcase, topped with the woman on page eight’s ubiquitous white hat is packed by Bet. And by Sampel. These recursive moments extend throughout the book, resonating with the more formal structure of poetry or music, which so often relies on reiteration and redoubling. The lyricism of the text is ever present, and Christensen’s prowess as an experimental poet, known for her groundbreaking works in verse—in particular “It,” “Alphabet...
Matt Bellamy and Muse rarely preoccupy themselves with trivial concerns. You only need peruse the titles of a few of British rock trio’s most popular songs to get an idea of what their music is all about: “Time Is Running Out,” “Supermassive Black Hole,” “Apocalypse Please.” Once in a great while, as with their cover of “Feeling Good,” a curve ball might crop up, but for the most part, Muse sing about...
...asses” of themselves while under the influence of Wheelgood’s special concoction. Similarly love-poisoned are Dmitri (Lucille Duncan) and Sander (Rebecca Whitehurst), who both fall for Helen (Erin McShane), leaving Sander’s lover Mia (Gordon) all alone. Bestiality, chaos, and disco music ensue. However, the plot is secondary to the primary goal of Paulus’ new approach to theater at the A.R.T.: experience. “I’m interested in how we can really get to the roots of when theater had power,” she writes...
...morning, your skill with the eight-track or the record player or the cotton gin suddenly ceases to impress. It’s just one of those inevitable disappointments that come with growing up, like the realization that Santa doesn’t exist or the way that music always takes a turn for the worse after you turn 30. But for our generation, the pain will be especially acute. We’ve grown up on social networks. They’re how we communicate, how we notify acquaintances of our relationships, how we make purchases, even...
...essence, with nearly $70,000 in prize money at stake. For this year's event, which runs Sept. 24 to Oct. 4, judges have chosen 165 designs from 10 countries, to be featured in 10 two-hour shows, each of which is a jaw-dropping theatrical performance. Dance, music, lighting, elaborate sets and of course the ensembles themselves attract a total audience of around 35,000. "WOW," says founder Suzie Moncrieff, "is a glorious rebellion against the mundane." (See pictures of Australia...