Word: musicalization
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Rosa Parks was her No. 1 fan, and Martin Luther King Jr. called her the queen of American folk music. Odetta's stage presence was regal enough: planted onstage like an oak tree no one would dare cut down, wearing a guitar high on her chest, she could envelop Carnegie Hall with her powerful contralto as other vocalists might fill a phone booth. This was not some pruny European monarch but a stout, imperious queen of African-American music. She used that amazing instrument to bear witness to the pain and perseverance of her ancestors. Some folks sing songs. Odetta...
...death on Dec. 2 in New York City at 77 from heart failure, coupled with that of South African singer Miriam Makeba three weeks ago, writes finis and fulfillment to 50 years of pursuing self-determination through song, of spreading the word through music. For a handful of black singers, their discography is an aural history, centuries deep, of abduction, enslavement, social and sexual abuse by the whites in power - and of the determination first to outlive the ignominy branded on the race, then to overcome it. In her commanding presence, charismatic delivery and determination to sing black truth...
...Born in Birmingham, Ala., on New Year's Eve, 1930, and raised in Los Angeles, Odetta Holmes had a big voice early on; she was schooled in opera from the age of 13. Appearing in a tour of the musical Finian's Rainbow in her late teens, she started to lend her classical and musical-stage training to the folk repertoire around 1950. Like Harry Belafonte, Leon Bibb and Makeba, Odetta played the swanker nightclubs before the big (mostly white) folk-music surge kicked in later in the decade. Odetta Sings Ballads and Blues, the 1956 Tradition LP with definitively...
...were strung throughout the Yard, and there was much, arguably obnoxious, hawking outside of the Science Center. Ultimately, for event organizers, it comes down to making sure everyone knows about your event, perhaps even more so than the charity itself. When purchasing tickets for these dances, was it the music or the cause that drew in the most students? Indeed, event organizers admit that the social half of ‘social responsibility’ takes the cake for ticket sales and awareness maximization. But it is precisely that acknowledgment and honesty about event planning that has driven social change...
Rock Outreach. If you can't get to the original Rock & Roll Hall of Fame in Cleveland, the museum has opened a 25,000-sq.-ft. branch in downtown New York, focusing on that city's contribution to the music world. Admission is a steep $22, but the money buys you a look at David Byrne's Stop Making Sense suit, letters between Paul Simon and Art Garfunkel when they were teenagers, and a urinal from CBGBs, the legendary Lower East Side punk-rock club, which closed in 2006. 76 Mercer Street, New York City...