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Word: musicalizations (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...performance the band seems to play possessed. The music itself is animated by excess, insists on, and receives, a response in kind. Who audiences are some of the most fiercely loyal, and some of the wildest, in rock. Abandon is the aim, and to reach that The Who acts in concert with the audience; "They bring you alive," as John Entwistle, the bass player, puts it. The excess they want, group and fans together, is a release, an explosive culmination of energy, a detonation of good will and great music. "Rock's always been demanding," says Pete Townshend, who writes...

Author: /time Magazine | Title: Rock's Outer Limits | 12/17/1979 | See Source »

...been breaking up ever since the day we started," says Vocalist Roger Daltrey), are a large measure of its appeal and, ironically, the core of much of its strength. It is also the source for a good deal of discomfort and antagonism among those who take rock music casually, and especially among those who would like never to put up with...

Author: /time Magazine | Title: Rock's Outer Limits | 12/17/1979 | See Source »

...rock fan can recite the litany of tragic burnouts; whether Pete succumbs remains a matter of strength and a certain kind of sure footed brinkmanship that until now has kept Townshend writing and The Who performing true lifeline rock 'n' roll. The members of The Who know what this music means, know its power and its necessary mutability. They also know what it means to the kids, not just a quick charge and an antic rush in a minute of concert footage but a change as potentially profound as any art can work, and even more immediate. All of this...

Author: /time Magazine | Title: Rock's Outer Limits | 12/17/1979 | See Source »

...this song so different? Am I doing it all again ? It may have been done before But then music's an open door...

Author: /time Magazine | Title: Rock's Outer Limits | 12/17/1979 | See Source »

...They were shattered, and, for a time, considered that in some way they might be responsible. The Who knows as well as its fans that, since the group's beginning, it has always lived at the outer limits of rock. That is the dangerous borderland where the best rock music is made, the music that lasts and makes a difference. Elvis Presley lived there. So still do Chuck Berry and John Lennon, Van Morrison and Bob Dylan and Bruce Springsteen. Buddy Holly, Sam Cooke and Jimi Hendrix died there. And The Who has taken up permanent residence. The danger that...

Author: /time Magazine | Title: Rock's Outer Limits | 12/17/1979 | See Source »

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