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Based on E.T.A. Hoffman’s book “Der Sandmann,” the classical ballet “Coppélia” was first choreographed by Arthur St. Léon to the music of Léo Delibes. It is one of the greatest comic classical ballets in history, telling the whimsical tale of the easily fooled Frantz, his love Swanilda, and their encounters with old Dr. Coppélius, the town toy-maker and magician. Though Frantz originally pesters Dr. Coppélius, he is lured by the beauty of the scheming...

Author: By Alyssa A. Botelho, CONTRIBUTING WRITER | Title: Boston Ballet Imbues Coppélia with Spirit | 4/13/2010 | See Source »

...process akin to a visual artist picking and priming his tools as they prepare for competition. CDT first chooses a choreographer based on an intense selection process. “It involves watching more YouTube than you can imagine,” Prince says. The captains then suggest music and a theme to the choreographer, who comes back to the team with a set two-minute routine. Even so, the members sometimes tweak the piece to fit their vision and showcase their dancers’ strengths. A winning routine is often a trade-off between performing advanced moves and fitting...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

Dance teams are judged on various, partly subjective, criteria: technique, difficulty, passion, creativity, style, ability to communicate emotion, clarity, control, synchronization, and musicality—all of which highlight the hybrid aspects of the art. In ballroom, there are four principal aspects: musicality, beauty and technique, partnering, and speed and power. Musicality—or a dancer’s capacity to interpret the music through motions that fit the mood and rhythm—shifts these competitive dances from a sport to an art form. A competitive dancer should not just be robotically performing moves; there needs...

Author: By Ali R. Leskowitz, CRIMSON STAFF WRITER | Title: Athletes and Aesthetes | 4/13/2010 | See Source »

David Byrne and Norman Cook, a.k.a. Fatboy Slim, are an odd couple to begin with: one an ex-Talking Head and lateral-thinking pop singer, the other a star club DJ and dance-music producer. So the news that the two were collaborating on a disco musical about the life of Imelda Marcos, the widow of Philippines dictator Ferdinand Marcos, was something of a head-scratcher. Peculiarity, though, is Byrne's specialty, and the recorded version of Here Lies Love is a winning twist on the "album musical" tradition. Twenty-two different singers (including the likes of Tori Amos...

Author: /time Magazine | Title: The Imelda Marcos Story — As Told by David Byrne | 4/10/2010 | See Source »

...idea of presenting this story as dance music came from an article Byrne read some years ago that discussed the former beauty queens reputation for clubhopping in the '70s and early '80s. He'd been interested in what he calls "the bubble worlds of the rich and powerful" for a while, and asked Cook to work with him on a set of songs that would be both about and in the musical forms associated with Imelda's particular bubble world. Here Lies Love was first performed in concert in 2006; Byrne had initially hoped to stage it in dance clubs...

Author: /time Magazine | Title: The Imelda Marcos Story — As Told by David Byrne | 4/10/2010 | See Source »

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