Word: musicalized
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Dates: during 1970-1979
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LEROY JENKINS, who will perform at Jonathan Swift's next Monday and Tuesday on a double bill with the Art Ensemble of Chicago, belongs to an odd generation of musicians who have performed and recorded a large body of influential music without ever reaching beyond a narrow, rather cultish audience. The 47-year-old violinist has been a primary member of the Creative Construction Company and the Revolutionary Ensemble, two groups that have provided important alternatives to the stale conventions of the post-Coltrane New York avant-garde. All the same, Jenkins is hardly a household word, even...
...grim picture of war-wracked Stuart England. His bass conveys depression and despair by a simple, minor sequence. Hubbard tries to flesh out the piece by drastically slowing the tempo and playing entirely in the piano's lower register. For all of Hubbard's attempts to write "felt" music, her combination of blatant imagery and her derivative performance produces songs that are just background noises...
This contentment, if nothing else, shines forth on LifeTimes. The music contains no downers for the unwary lister but there are no real highs either. Like Hubbard herself, this album proceeds on an even keel, making little or no impression on its surroundings. In spite of that, and in spite of anyone's best efforts, I suppose this album will gain a wide audience. For in spite of the lack of content, social, emotional or otherwise; in spite of the hackneyed imagery and lackluster performances, this album will be heard. In the dentist's offices, in the banks...
OVER THE LAST TWO DECADES the popularity of reggae music has expanded beyond the borders of politically torn Jamaica. Even at Harvard, nearly 20,000 persons turned out for a benefit concert highlighting Bob Marley and the Wailers at Soldiers Field stadium last summer. A new album released this month by Marley, the prince of reggae, shows why the music has become so popular. Marley's voice has never been stronger, his message more poignant or his instrumentation more subtle and complex...
...that gives him his direction. His popularity in places as diverse as Africa and North America proves he has struck a common chord that cuts across class and culture. It's impossible to know whether Marley's popularity in the United States is fed by appreciation or curiosity. The music, fortunately, can be enjoyed on either level...