Word: musicalized
(lookup in dictionary)
(lookup stats)
Dates: during 1990-1999
Sort By: most recent first
(reverse)
...Eyes" and "Layla" and throws in two more soundtrack tunes, "Blue Eyes Blue" (Runaway Bride) and "Get Lost" (The Story of Us). Yet, surprisingly, nothing from From the Cradle, Clapton's 1994 hit blues cover album is included. Instead, the collection showcases Clapton's original compositions, reaffirming his signature music and creative genius in this collection...
Local band Firecat advertises itself as a rock 'n roll trio with some other instruments and catchy vocals thrown into the mix. The combination is supposed to create a more interesting variation on the guitar-based rock formula. The ingredients are there for good music, and the band comes from the rich heritage of Boston-area rock. But the problem with Firecat is that they don't have the one essential quality which defines a good rock band--they don't rock...
...sequel to the soundtrack for a sequel? The Austin Powers cash cow seems just about ready to kick the milking stool. Fortunately, More Music from Austin Powers 2 tries to avoid the charge of merely trying to cash in by including snippets of dialogue and a fair number of movie-relevant songs (They Might Be Giants' "Dr Evil"). Unlike the hero of the execrable movie, the album remains firmly fixed in the '60s. It sadly lacks the Bacharach tunes and kitschy cover versions of the first two soundtracks, but it has a solid sense of pop music in Swingin' London...
...record capitalizes on the desire of fans to hear old-school, "Plush" grunge. No. 4 capitalizes on the interplay between the hard rock emphasis of STP's debut album, Core, and the lessons in eclectic beat formation and poppy renditions of 1994's Purple and 1996's Tiny Music from the Vatican Gift Shop. In many respects, the album seems to reflect a band that is almost too happy to be creating together again, so instead of the work indicating musical growth it becomes a stylistic retrospective...
...driving jungle and straight-ahead rock with equal aplomb. While pre-recorded sounds were used, they were kept to a minimum. The sound was very tight but very flexible: four-minute tracks became ten-minute jams, with Tricky repeating phrases with mantra-like intensity. This vastly improved his music: in his studio work, Tricky compresses ideas into his songs, but the live venue allowed his songs to stretch out, achieving blinding power through repetition. A nameless female singer performed the roles played on record by Martina Topley-Bird (Tricky's occasional girlfriend and frequent collaborator), while British rapper...