Word: musically
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Dates: during 1950-1959
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...honor. At week's end, Shostakovich and his countrymen rolled into Manhattan's cavernous Basin Street East to catch some summit-level jazz presided over by Old Maestros Benny Goodman on clarinet and Red Norvo on vibraharp. But if the Russians really dug the decadent, blood-tingling music, they showed it only with polite applause, an occasional twitch, no joyous faces...
...years the Los Angeles Philharmonic has played concerts at the Hollywood Bowl, but has also competed with the Hollywood Bowl Association for guest conductors and soloists. Last summer both organizations made a move highly unusual in the music world, turned for advice to McKinsey & Co., a Manhattan firm of management consultants. McKinsey advised that what the two outfits needed was a joint director, added the even more radical suggestion that they consult an executive recruiting firm...
...industry. Ward Howell invited suggestions from Leonard Bernstein, Rudolf Bing, Sir Thomas Beecham, et al. With a list of 35 candidates to work from, the firm set up interviews, started vetting applicants on the basis of previous success, experience and age-35 to 50 preferred. The rigid combination of musical and managerial talent proved hard to find: one candidate, a lawyer, was washed out because he was high on executive ability but low on musical experience; an opera-company director knew his music thoroughly but seemed a poor administrator. Several were angling for salaries well above...
Ward Howell weeded the list down to six applicants, three of whom were interviewed by the symphony board. Last week Ward Howell's ideal org man of music was on his way to the West Coast. His name: George Adrian Kuyper, longtime manager of the Chicago Symphony, a sometime English instructor (University of Michigan), associate manager of the Boston Symphony and onetime amateur violinist. Kuyper, it turned out, was 60-ten years above the recommended...
...country tour. At each of the concerts, the Viennese played Mozart-Eine Kleine Nachtmusik, Symphony No. 40-and to many listeners the effect was startling. Most Western orchestras play Mozart as if they remembered the 18th century only as the Age of Reason, give the music a cold, chiseled brilliance. The Viennese approach is easy, mellow, almost sentimental, conveying a chamber group's intimacy in place of thrust and stride...