Word: musically
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Dates: during 1950-1959
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...Orchestra of America, founded two years ago to perform nothing but American music, presented the world premiere of Robert Kurka's Concerto for Marimba. Composer Kurka, Chicago-born son of Czech parents, went to work on his 22-minute concerto in 1956 at the suggestion of Marimbist Vida Chenoweth. completed the piece a year before his death of leukemia in 1957 at 35. Last week's performance, conducted by Richard Korn, featured Marimbist Chenoweth as soloist. A small woman (5 ft. 2 in.), she seemed dwarfed by her instrument-a 6-ft. tablelike frame supporting a graduated series...
Kabalevsky's conducting stint last week was the high point for a touring musical contingent from Russia, including Composers Dmitry Shostakovich, Konstantin Dankevich, Tikhon Khrennikov, Fikret Amirov, and Music Critic Boris Yarustovsky. As they were on their previous stops-Washington,. San Francisco, Los Angeles, Louisville, Philadelphia, New York -the Russians were strenuously entertained in Boston. As usual, they gave no individual interviews, uttered polite platitudes about music. What distinguished the Boston visit was the obvious affection the visitors had for the Boston Symphony, the first U.S. orchestra to tour Russia (in 1956), and for its Russian-born or Russian...
Start to Think. Sitting pretty in southern Maine, Colby has attracted money because Bixler has given the campus intellectual tone. Along with boosting the curriculum, notably in philosophy and religion, he launched art and music departments. He fostered a "creative thinking" course, spurring students to take off on any subject from cider to Columbus. He stirred the school to start a scholarly magazine, to ponder a "book of the year," e.g., The Lonely Crowd; Science, Magic and Religion. He got Colby to give TV courses for credit to rural viewers, made the school a summer center for adult education...
MacDonald charged that the customer's reaction was built into mass art. "Liberace visually underlines appropriate sentiments as he plays, so that even the most musically illiterate can tell what the music means...
Lighting and music are movingly integrated into the production. While some of Walter Benson's lighting effects show the self-consciousness inherent in college drama, they always manage to accent the general action. In a period play with a large cast costumes are necessarily a problem. In Tiger at the Gates, the costumes though well-styled always appear merely costumes, rather than attire...